Monday, 8 June 2026

The Trials Of A Crime Writer: Balancing The Light & Dark

THE TRIALS OF A CRIME WRITER: BALANCING THE LIGHT & DARK

I've always been someone who is more attracted to some dark aspects of fiction. While there are whole romance genres that deal with that side of things, for me it's more about the crime element. As in I prefer to read dark, girtty crime and mystery. I also love to read the cozy kind too, but I digress. As a writer, I've never shied away from the dark aspects of some of the stories I tell. From murder scenes to death visions, to battles and war, and all of that wrapped up in some parts of the world that are just not light hearted.

But I've always also been someone who likes to have some elements of the light in there too. Like I said, I like both dark crime, but also the light kind too. I want to be able to give my readers the best of both worlds, with some things that are dark and disturbing, and others that are sweet and light. It can be hard to strike the right kind of balance between the two because they can be seen to cancel each other out. On top of which, if you hit the notes right with one, the other might be to jarring to the reader, and that's why it's so important that you find that balance, and make sure it's reflected in your stories.

So here are some of my tips about how to keep that balance just right, with the caveat that for some readers will want more of one than the other, and you cannot ever please everyone, so keep that in mind!

#1 NAVIGATING THE PEAKS AND LOWS
I'm sure you've all seen that one plot outline that looks like a graph, it has highs, it has lows, and when you're trying to work out where your story should be, it can be really useful. The same applies to dark and light. If you call the dark the lows, and the light the peaks, then you need to make sure that they complement each other. For example, if you've had a very dark section, right down in the lows of the graph, then it might be a way to give your characters, and the reader, a break with a small peak. 

By this I don't mean shoot it right up to the top of the graph because that is going to be super jarring, but just enough that there's that tension release, and gives everyone a chance to breathe before going back into the rest of the story. I've done this in a lot of my dark books, one that springs to mind is the Lights Out trilogy where you're dealing with a dystopian hellscape and Lock, the main character, is dealing with a lot of darkness. I've sprinkled in some lightness to help break that tension, and allow Lock to see that things will get better. You can do this however you please, but just remember to keep them complementing each other.

#2 DON'T EVER GO TOO DARK/LIGHT
If your story is one that deals with the dark side of humanity, then make sure you have some idea of how dark you want this to get. The same applies to the lightness in a book with both. You don't want to, going back to that graph I mentioned, have a really really raw and deep low that seems out of place, and you don't want a peak of light that kinda makes the reader think: what the heck is this?

Obviously you know your story and characters best, but it's something to keep in mind, because if you cross this line, you might end up losing some of your readers for it. If they signed up for a dark gritty crime and you're also giving them such big peaks that it's kinda jarring, it's not gonna be the experience they were looking for.

Overall, just remember that when using both, and you will, to some degree, need both, you have to keep them on the same level, and make sure they mesh and blend together well, otherwise your graph is going to look like someone running a marathon.

However you go about it, good luck!

Any questions? Lemme know in the comments! 

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Monday, 1 June 2026

The Trials Of An Indie Author: Writing For You

THE TRIALS OF AN INDIE AUTHOR: WRITING FOR YOU

I've heard the phrase that you should write the book you want to read, and I agree with it, mostly. I've been writing since I was 19, and at 44, I am still finding books to write that I wanted or needed when I was a teenager and trying to find my way in the world. Of course everyone writes for different reasons and a lot of the time, it can be both personal and also just because you know there's a market for that kind of story.

Having said that, as a chronically ill and disabled woman, I found that a lot of the stories that I wanted to tell were ones that, at the start of my career, I couldn't see myself managing to pull off. It was really only once I got older, and started to realise that I could manage to do this that I delved head first into writing disabled characters, telling stories of fantasy and dystopian and even just plain old contemporary and mystery. I wanted to put those characters out into the world and I wanted readers who had been like me as a teen to find themselves in my fiction. 

Every writer has different ideas of the stories they should tell. Every writer will write the same story differently, and because of that when it comes to working out what stories you want to tell, you have to kind of look deep, and also really think about it. There will be times when you lean more one way than the other, as in, if you're a writer like me who switches genres, you'll do heavy on one before moving and changing to another. If you're always in the same genre, the style of stories might change, the sub-genre might switch. All of that is normal, and it's just about finding that sweet spot, that place where you've found your genre for the moment, and leaning into it and writing all the stories you want.

For example, when I first really worked on a story that I wanted to publish, it was a YA thriller that I'd been brewing in my head for a time. It became my focus and my drive, but the next story I really got lost in after that was paranormal/mystery. I think the reason that I switch genres, while sticking to a myriad of them, is because as a reader, I will read pretty much anything. There are a few genres that generally don't appeal to me, but usually if I like the blurb, then I'll pick it up and give it a go. Sometimes I fall in love with a new genre, and sometimes I don't jive with it. But it's reflected in my writing because I know that there are other people like me out there, teens and older, who also jump around genres and just want to read good stories.

So when it comes to writing for myself, or even my younger self, I'm writing crime, I'm writing dystopian, I'm giving urban fantasy a go, I've got the paranormal in there too. It's all about me both exploring things as a writer, but also allowing that imagination that got me in loads of trouble as a teen, to grow and bloom and become something bigger, become stories that other people can read, fall in love with, and maybe one day move on to writing their own. 

Some writers will focused on one genre because that, for them, is the stories they want to read, and it's a good thing for them to explore those same kinds of stories that maybe they also adore, and want to pass onto the next generation. After all, even when we, as authors, are no longer here, our books can still remain, our stories can still be here to show the kind of writers we were and our legacy of stories. I think that's a really cool thing, especially as someone who has a future that is limited.

So no matter what genres or stories appeal to you, write for yourself yes, but also remember that these stories have a greater reach than we ever could. I always leave part of myself in my work and I know a lot of writers and authors who do the same. Writing for yourself is powerful, and so is making sure those stories, the ones you needed to tell, have outlasted you. Who knows where that may lead in the future?

Whatever genre, whatever stories, keep writing, because the world needs your stories. 

Any questions? Lemme know in the comments! 

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Thursday, 6 November 2025

Update on Joey


An update on Joey and the future for now. 💜💜
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On October 21st Joey collapsed at home and was rushed to hospital. She developed sepsis and was unconscious in ICU for a week. No warning, no chances to post. We very nearly lost her.
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She's home now but recovery is slow. She's lost use of her right arm temp or not we don't know yet. She will be officially not working/posting until the hew year and possibly beyond.
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Bear with us, her typos, and her lack of content while she recovers the length of which we don't yet know.
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Apologies for the lack of update until now we're all still dealing with the aftermath.
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Joey will be back eventually 💜💜

Monday, 13 October 2025

1 DAY TO GO!!


1 DAY TO GO!

PRE-ORDER HERE: www.books2read.com/TORMENT04

PRE-ORDER SWAG:  https://forms.gle/AGopCWjKhvjFYYt67

 

Spoonie Writer: Acknowledging The Bad Days

SPOONIE WRITER: ACKNOWLEDGING THE BAD DAYS

I know it might seem like only the spoonies among the writing community have bad days, but all writers have them. I get that a lot of the time the spoonies are the ones having them more often than not, and while that's a part of being chronically ill and/or disabled, it's too easy to get lost in the thought of the bad days always outweighing the good and never getting anywhere.

I've been a published author for twenty years now. I've written nearly fifty books, and have released twenty-four of them (at least I will have tomorrow!) I have been disabled and chronically ill that whole time. While this is not some, hold me up as inspiration, speech, it is to show that you can get there, even if you have to take your time. There is no limit on publishing. There's no race, and you can take as long as you need. Of course I do get it's easier said than done, and I will admit to sometimes feeling like this journey and path is littered with obstacles that other, healthy and abled writers, don't have. 

The key for me has been acknowledging that bad days will happen, like I said at the start, they do happen to everyone, and it's not a competition of who has it worse, at least not in my eyes. I am well aware of the hurdles in front of a lot of disabled and/or chronically ill writers. I've lived them to some degree, but that doesn't mean that all is lost. 

People who have been following me for a while, or who have seen a blog post or two from me, will know that I am a big advocate for rest days, for taking your time, for doing what you need to stay moving. I will also admit to being a tad organised and having my writing and author journey planned as much as I'm able. It's one of the ways I deal with those bad days, acknowledging that they will happen, and while there are some things I can do to mitigate them, other times they come from nowhere and I need to pivot, adjust, and keep moving forward in other ways.

No, that's not me saying to push through. While there is a time and place for pushing yourself to a point, when it comes to bad days, that just leads to burnout or a flare, and no one wants that for you. I have found that it's a lot better to not hide from them. When making plans, acknowledge that you will pay for it afterwards, or will have a few bad days to follow, and adjust accordingly. That way you're not facing a deadline and realising that the staying up late to finish that book you're reading, is going to pay you back in full right when you need to be working.

That's not to say that I don't have mishaps. In September, I went to see my favourite band in concert. I worked the morning of because I knew that I would be up in the wee hours and napping and all before the concert itself. I also, somewhat, worked out that I would have a late night, but thought it would be fine. It was not fine. We had an amazing time, but didn't get home until almost 2am, and I'm normally awake and working at that point! Thankfully, I had a last minute, before the concert, moment, where I was like: wait, I am not going to be up to working tomorrow. I took the next day off and it's good that I did, because I was super tired and not capable of much of anything!

But that's what I mean, acknowledge those days will happen. It doesn't make it easy, it doesn't negate the disappointment, and the actual not feeling great, but, for me at least, it does ease the anxiety and the thought that I might be missing work and knocking my deadlines out of wack. It's not you, or me, failing, it's just the nature of the beast that is the chronically ill and disabled life. 

So plan for them, and remember that this is not a race, you will get there, and we'll be cheering you on the whole time.

Any questions? Lemme know in the comments. 

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