Tuesday 22 October 2024

#TeaserTuesday

The issue of Tyra is gonna have to take a back seat...

BUY NOW: http://www.books2read.com/ACHE03

[ID: An orange background with the title CRAMPING CHRONICLES: THE THIRD ACHE at the top and out now in ebook & paperback just below the title The except reads:

“No, it's fine,” I said, shaking my head again. “I should get to class, I don’t wanna be late there too.”
Craig took hold of my chair, Meera watching me with concern, as we both left our tutor room and headed off to our Maths class. I didn’t want to talk about Tyra just yet. There would come a time when I’d have to tell my friends, but until then I’d put it off.
After all, it didn’t feel like the problem was going anywhere.

At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, in the bottom left corner is the Readers' Favorite review seal, and in the bottom right corner is the logo for Bug Books. END ID]

 

Monday 21 October 2024

5 Ways To Revise/Rewrite

5 WAYS TO REVISE/REWRITE

As you may know, I've been taking time off drafting and working on revising and rewriting older projects. At the moment I have two of those, as well as a project in the last stages of revision before it goes off to the editor. When I penned the last word of my previous drafting projects, I jumped into rewriting and revising without any real way of knowing how much work was going to be involved, and how to even go about doing it.

I'm someone who plans my time extensively. I make sure that I know what I'm going to be doing in the upcoming month, and I make sure I have all my ducks in a row as it were. So faced with going back to projects I last looked at in 2019, it was a little nerve wracking because I didn't really know what state they'd be in. I was aware that they would, probably, need a lot of rewrites, but I wasn't sure if I'd be going about that by outlining and rewriting every chapter, or doing it more as a revision project.

Now that I've had a few months of doing this, I have a better handle on things, and thought that today I would give you five ways to revise or rewrite and save you the stress of not knowing how to do it all.

#1 READ & CHANGE
This is similar to what I do when I first start any revision project. I set it up by doing a full read through and then making any changes as I need to. The issue with this is it can be exceptionally time consuming, and if you don't know ahead of time what, if any, changes need to be made, or even all of the plot beats through the story, you might find yourself correcting things that actually work and help with the later chapters. Now if you're a hardcore plotter, this might not be an issue, and if so, this way might work for you.

#2 APPROACH CHANGES IN BLOCKS
If you have a good idea of the story, either by reading through it completely and making notes, or by just knowing it well enough, then you can set about making those changes in blocks. Like splitting it into acts, or chapters, or scenes, whatever works for you, and then make those changes throughout that block before you move onto the next one. This works for plotters and pantsers, especially if you've already got a good idea about what needs to be changed in each section.

#3 REWRITE FROM THE START
I've never had to do this, but I do know that it works for some writers. They will write their first draft, or zero draft, and then go through and rewrite the whole thing, as in typing it all out, either using the first draft, or from knowing the story, and doing it that way. Whichever works for you is fine. I've thought about doing this, but have never had the reason to actually go about it, and while it might be something I do in the future, for now I've found that my way works better for me.

#4 READ AND OUTLINE

This is what I do. I will read the draft from start to finish, sometimes a few times, and will then sit and make an outline. I take copious notes, I make sure that I have all the plot beats and I make sure I know what needs to happen in each chapter for the story to be more cohesive. If things need rewriting, then I'll note that in the text, and I'll keep going through it until I'm sure I have everything. It's the way that's worked best for me in all my revising and rewriting time.

#5 GO CHAPTER BY CHAPTER
This is similar to approaching the changes in blocks, but in this case you'll do it on a chapter by chapter basis. It's going to be something that works better for those who already know how the story goes, and knows whatever plot issues you might have, along with pacing and the like. That's because you don't want to be getting a chapter perfect, only to find out later that actually you needed to keep this part for the rest of the story to work. It's not something I've ever done, but it could work for those with a better grasp of the full story.

So there we go, those are five ways you can approach revising and rewriting. It's a mammoth task and it will take time. I usually spend months getting my book into good enough shape to go to the editor, but of course I'm coming at it from a stance of being a plantser so it may be different for those who plot from the start. Good luck!

Any questions? Lemme know in the comments!

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Friday 18 October 2024

Review of Aix Marks The Spot by Sarah Anderson

Jamie has been dreaming of this summer forever: of road trips and intensive art camps, of meeting cute boys with her best friend Jazz. What she didn’t count on was the car accident.

Exiled away from her family as her mother slowly learns to walk again, Jamie is sent to Provence and trapped in an isolated home with the French grandmother she has never met, the guilt of having almost killed her parents, and no Wi-Fi. Enough to drive a girl mad. That is, until, she finds an old letter from her father, the starting point in a treasure hunt that spans across cities and time itself. Somehow, she knows that the treasure is the key to putting her shattered family back together and that whatever lies at the end has the power to fix everything.

Armed only with a high-school-level of French and a map of local train lines, she must enlist the aid of Valentin, her handsome neighbor who’s willing to translate. To save her family, she has castle ruins to find and sea cliffs to climb; falling for her translator wasn’t part of her plan…
 
My Review: 5 STARS

Having read other books by Anderson, I kept meaning to read this one and then forgetting about it. I picked it up finally and am so glad that I did. I loved Jamie from the start, and adored the setting, the twists and turns and the realness of the characters, of the story. I ended up reading it all in one sitting and got lost in treasure hunts, love, France, and learning not to blame yourself for every little thing. The book was adorable, it had me laughing, crying, and cheering for the characters, hoping that the end would be a delightfully happy one. Very much recommended!

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Monday 14 October 2024

1 Day To Go!

1 DAY TO GO UNTIL ACHE!

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5 Pieces Of Writing Advice I Hate

5 PIECES OF WRITING ADVICE I HATE

If you've been a writer for any length of time, and especially someone who's online a lot, you'll have heard a whole lot of writing advice. Some of it has its place, but a lot of the time it's done in absolutes, and there are a lot of things that people forget when it comes to absolutes. Every writer is different and every one approaches the writing life differently, and that's completely valid.

Now having been writing more than half my life, it makes sense that I'd have picked up a few pieces here and there that I found just rubbed me the wrong way. You'll probably find that every writer out there has some pieces of writing advice that they just do not agree with and do not pass on to newbie writers, or if they do, they do so with a large pinch of salt.

I thought that today I would delve into the five pieces of writing advice that I really just can't stand, and dig into why and what I think should be given in its place!

#1 WRITE EVERY DAY
You can probably work out why I don't like this. I'm a chronically ill and disabled author, and it's just not physically possible for me to write every single day. But the same applies to those who are completely healthy as well. Writing every day is not sustainable, and while there are probably some unicorns out there who can manage it, I don't know any of them. My preference to this advice would be to set a routine, find a way that works for you, carve out that time, and it doesn't have to be every single day, and make it work. I think that's what the original giver of this advice meant, but the nuance has been lost over time.

#2 SAID IS DEAD

I got the same talk that I'm sure a lot of writers have had from their English teachers. We should vary the dialogue tags and never ever use said. Except that sometimes it's the best word for it. Sometimes getting creative with the tags makes the writing look clunky and comes across sounding like you picked up a thesaurus and just went nuts. Need I remind anyone of the writer who should not be named, who used the dialogue tag 'ejaculated' in all seriousness? Like really? That's better than just saying said? I don't think so. While yes it's good to have a little variety, said is often the better word.

#3 WRITE WHAT YOU KNOW
Ah, this one is one that gets me every time. While yes, there is a time and a place for it, a lot of the stories told are things people could never experience. I don't have psychic abilities, and yet I wrote a whole eight book series about it. I've never been in a dystopian, yet I've written about that. I'm not an empath, etc, etc. While yes it's a good idea to include things you have experience with, the ability to write almost anything is universal. Imagination is a powerful tool, and while yes, you should research things you're not familiar with, especially if we're talking marginalised identities, it's not where it's completely impossible to have help with that, like sensitivity readers, which are a great tool to use. If we all stuck to only writing what we know, fiction would be very boring.

#4 ONLY WRITE ONE GENRE

This is something I see a lot of people talking about and it always makes me sit back and think: huh? Like I do realise that there are some writers who will only write one genre, and that's fine for them, there are others, like me, who have a handful of genres and move through them. While it may be easier to have success with just one genre per pen name, it's not a case of always having to write that genre and nothing else. It can be done, there are successful writers who started in one genre and moved to another, and it works. It might be harder work, but it is possible. I go where the ideas take me, and even then, I'm more based in a handful rather than all the genres.

#5 X TROPE/GENRE IS DEAD, NEVER WRITE IT

I don't know whether people realise that everything goes in and out of fashion in cycles. There are always going to be hot genres and tropes for a time, and then people turn their focus to something else, and eventually yes, they come back to that trope/genre. It might make it harder to market, but along with the hot topics, there are always going to be those readers who always love that trope and genre no matter whether it's in fashion or not. So go ahead and write what you want, and decide about releasing and such on your own, but it's not a case of any genre or trope being dead forever. It'll come back around eventually.

So there we go, those are the five pieces of writing advice that I hate. While there is always going to be some pieces that apply more to others than you, there can, usually, be a way to make it work, I just avoid absolutes because they are never universally true. Your mileage may, of course, vary.

Any questions? Lemme know in the comments!

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