Spoonie Writer: Learning To Rest

SPOONIE WRITE: LEARNING TO REST

This feels like a post I could have written so many times in the past. When I talk about taking breaks, and not having to 'earn' time off, it's become the hill I will die on, and because of that, I'm kinda known for it. The problem is that while I believe all of that is true one thousand percent, I'm not always good at following my own advice, which I think is a somewhat universal thing, the sepsis last year, and the long recovery following really schooled me on how all of what I've preached is very much applicable to me too.

I mean I was good at taking at least two days off completely every month, and again, to be fair, I was not (am still not and never will be) working 8 hours every day. It was at most three hours, and then I'd have the rest of the day off. So in my head, it made some sort of sense, but oh boy, when I tell you what it's like to go from being able to do that to not even being capable of sitting up for 30 mins straight, it's a whole lot to appreciate and learn from.

Which brings me to the point and topic, that you will, spoonie or otherwise, have times in your life when you are forced to learn just what you personally will need to do to actually be properly resting. Like I said, it took almost dying for me to really learn how I personally rest. Yes, I had ways before, but sometimes, you will need different, and new, tools in your toolbox when it comes to resting.

For example, I have always been a voracious reader. This was, before the sepsis, my primary way of resting and recharging. While I've been an ebook only reader for a while, and while I've have a kindle also for a long while, it's always been a reliable thing. read, settle in, disconnect the author brain at times, and just lose myself in a story. It had always been something that worked for me. To the point when I got home, I was mentally planning my TBR for the long recovery ahead.

Only that wasn't how things went. I tried, believe me I tried, but my mind could not latch on and stay focused. What had once been a way to escape, a way to heal, became something where I didn't even really follow the stories enough to be able to really settle in with them. I'd dropped my goodreads goal twice, I met it, but at a much lower amount that I would have, I believe, without the sepsis.

Now don't get me wrong, I did not abandon reading, and I did find the solution and such, and am now back to being comfortable and can settle in with a book like before, but I had to try and find something new, something that I could focus on, and would allow me t disconnect and rest. YouTube helped there. I found a few true crime channels that had that effect on me. I found myself using social media more than before. All of which were little to do with writing and the author life, they were just ways for me to rest and recover. I spent a lot of time chatting with friends, curling up with the kitties, napping, and just trying to find my way back, and also accept that rest, like I've been telling so many others all this time, is not optional. You just gotta find what works for you.

Good luck, and just remember that it takes as long as it takes, and that's okay! 

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Life Of Joey - October 2026 [CC]

Letting you know what I got up to last month! #Authortube

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The Trials Of An Indie Author: Trying New Things

THE TRIALS OF AN INDIE AUTHOR: TRYING NEW THINGS

One of the big things you have to always remember as an indie author (and probably trad too), is that things online change rapidly. The same can be said for real life too, but I've found it to be a whole lot quicker on things like social media and the like. One day something specific is working for reels and shorts, and then like 12 hours later that thing is now done, and even with others still posting they don't get told, they just get to watch the thing they've spend time, and sometimes money, doing plummet. It sucks, no one likes it, except maybe the algorithm, but no one knows about that either.

There are other facets of this, like when you write to market, it can work for a lot of indie authors, and for others it's like crickets, because they missed that particular trend by about 0.5 seconds. My point though is that as authors, we do need to be really careful and also on the ball, and that, that is exhausting! I can't tell you how many times I would have to rapidly pivot towards one thing and then find out that the thing is no longer the big thing.

In any job that deals with some kind of advertising, you will realise that trends come and go, and it's more about finding your audience, the people who will see your book and want that in particular. I have been an author for 21 years at this point. I write across a variety of different genres, and because they are all under one pen name, I have made my life harder. I could have, yes, done multiple different pen names. I didn't because who has the energy for that? Definitely not me! But also, I felt like those who liked the stories I tell, would maybe like that in a genre they have not read much or at all before. It doesn't always work, not by a long shot, but it has worked enough.

As it stands right now, I have a core group of readers who will, usually, be happy to skip around my usual genres. I will also get readers who want one genre only, and are happy when that's the one that comes up next. You don't have to do everything right, but you do have to have some idea of what you're trying to do, and that's where trying new things comes into it.

When I was first published I was already straddling two very different genres. My debut was crime/thriller, my second book was the first in a paranormal/mystery series. While some readers who like crime/mystery books will also be open to throwing in some paranormal, for others that is a giant no thanks. I messed up. I didn't do enough research, and for a time at the start, I call the Dying Thoughts series solely a crime/mystery. Can you see the issue there? I was so focused on having that same readership from my debut follow me into my first series that I just thought the shared genre was something that would appeal to all. It did not, it really did not.

Of course there was a correction later down the line, but it took me a while, and of course because of that, I lost people who might have liked other books that were straight up mystery. While there are many slip ups like that I could talk about, the point is that there will be times when you miss the bus on the newest viral post, and there will be times when you personally have thrown the bus away because you didn't make sure of things before trying to hop on board. The life of an indie author is about finding new ways to help yourself, and also to bring your books to the people who want, and need, to read them. So be ready to pivot, be ready to try new things, and be ready to keep pushing along. You've got this! 

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Taking Breaks [CC]

Rest and breaks are so important, and I'm breaking down why! #Authortube

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The Trials Of A Crime Writer: Planning New Stories

THE TRIALS OF A CRIME WRITER: PLANNING MORE STORIES

I gotta be honest here, after everything I went through last October, and the way things changed so much for me, I didn't know if I would ever be able to both return to being an author, and also be in a place to do more than revise, do edits, and publish. Those felt like very minimal typing needed. I already knew that it would be a lot harder for me to do a whole heap of things I'd been able to do before. From writing these posts, to doing scripts, to recording and captioning, and all of that. I had a lot of people say things like: dictation might work. I already knew it was not something I worked well with. For me to be able to tell a story, I had to be writing with hands rather than voice.

So when it's gotten to this point, the fact that in less than a month it will have been a year, and I am still here, and not just still here, but also, here, and writing, or at least planning to write makes me kinda emotional. I took a chunk of time off writing before the sepsis and such. I wanted to be able to spend some time doing both revisions and rewrites for older projects that I felt would need more time than I'd have been able to give them otherwise. I always planned to draft again at some point, in fact had tentatively booked April as my start month. It didn't happen, and I'll admit, during recovery, seeing those plans on my calendar, it hurt, it really did. I was at that stage where I didn't know still, and it kinda broke me for a time.

What makes me smile is that even though this April didn't happen, next April is looking like it might be a possible thing for me to start drafting two new books. For the first time ever really, I have allowed myself time to kinda really sketch out what I want from the books, and also where I want them to go. Normally when it comes to planning, my idea of it is, make a chapter list, and put like a couple of words for what should happen then. People see me and the way I'm so organised and assume that applies to drafting too. It does not. Those couple of words? Sometimes they are as descriptive as: Intro, school day, and X Meets Y.

So this is why a lot of my planning and organisational advice sticks to all the other ways I plan, because I would not even know where to begin with a proper outline, and by proper, I mean those who plan with a lot more detail than me, which to be fair, would not be hard!

That said, I do like fleshing out the story ideas. I can't always promise even half those ideas end up in the story itself, because it's more just me thinking that this thing would be great, and then I just never ever use it. An example would be for the Invisible Quartet, which to showcase how little I plan, was meant to be a duology, and Lights Out trilogy? Meant to be one book. Anyhoo, the example, I had a whole antagonist plan and character. I knew where I wanted them to come in and all their backstory. They never ever even got close to being hinted at, let alone mentioned!

So when it comes to being back to being able to actually plan stories I'm going to draft, it's lightness, and just joy at being able to be a writer again, to be able to start at the start again. I don't know how long it will take, I don't know what will come after those stories, if I will break for a bit and do more revision, I do know though that this is who I am, who I was meant to be, and I will never stop telling stories. They are mine to tell. 

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Writer Reflection: Learning Balance [CC]

Talking about learning how to balance when it comes to the projects on your plate! #Authortube

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When Revisions End - The After Process

WHEN REVISIONS END

I've had this one on my list for a while, mostly because it was originally planned to be done when I went from mostly revision projects, to starting to go back towards maybe drafting again, and while that plan blew up in my face, it feels like something that should be talked about. At the end of the day, a lot of the time things in the author life operate on a kind of: you'll know what it's time. 

Which, okay, fair, but what if you don't 'know'? Like is there a checklist somewhere I can go through and just have some idea of when this knowing should happen? Will there be like a booming (or even whispering) voice from nowhere telling me this? Like, I would like to know what the 'know' means? And I kinda doubt I'm the only one, so I thought I would give you some of these things I've picked up having written almost 50 first drafts, and published 24 books. And yes, for those wondering, I do still genuinely need to phone a friend to ask if the know has know'd yet, so it might be something other long term writers do know, I am not always one of them!

#1: REVISION IS BORING
I need to add a caveat here because there's a difference between, I know this story so freaking well at this point that I could probably recite it from memory alone, and ugh, this scene/chapter/plot beat are just so boring, when does the good stuff start? The former is the sign, the latter is a whole different sign and not a good one, but I won't get into that here!

If you have spent so long reading, and tweaking, and changing and shaping, and you are able to read through your work so much that it's now just like re-reading a book and it's not something where you're trying to add this or that, it's a sign that maybe you have done all you can, for the moment, and depending on where you are in that journey, it might be time for betas, or CP, or even like an editor. If you can no longer see things that might need fixing and it's just a boring task because of that, that be the know in this case!

#2: YOU NO LONGER PRIORITISE IT
Now, I know that there are a million different reasons that people move away from a project, either for a time, or for good, and those are all valid. I am talking about those who don't have those reasons, the writers who put another project ahead of their current one because they feel like that distance will allow them to come back refreshed and more able to change and strengthen their work. I mean, again, it's not wrong to have that space, and it is very much needed for a whole heap of reasons, but, and I say this to be taken with a grain of salt, sometimes that action isn't about wanting to come back with fresh eyes. Some of it is you knowing you have done all you can for that project, and that is okay, that is that know silently whispering, and also pushing you onto a project that does need your attention more.

#3: THERE'S NO FIRE FOR YOU THERE
This one I feel like is the biggest one for me. I have worked on multiple projects. Like I said, 24 books published more than that drafted, I've been in this situation, and it's not always being completely done, but for me that's usually what it means. I don't spend my rest hours turning over plot beats for that project, I don't get excited about inputting changes and seeing how they look on the page. I don't have any of that, because I've done all I can, and now it's time for a different stage.

So there we go, like I said, even after all these years, it's sometimes hard for me to truly hold onto what that know is and whether I'm hearing it right. At the end of the day, you gotta do what works for you. I wish you all the luck! 

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Questions From Readers - September 2026 [CC]

I'm answering questions from you guys today! #Authortube

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5 Facts About My Current Working Projects

5 FACTS ABOUT MY CURRENT WORKING PROJECTS

While when I planned this piece I had about 5 projects on the go, it has turned out to be wholly different than I could have imagined. This is my fourth (I think) month back since almost dying last October. That made it so that I didn't work on anything for eight months, and while I like to think I am back to author life completely, my body, and brain, always like to remind me that there are vast differences to the way I worked then, to the way I work now, and that's okay, no matter what my brain tries to convince me, it's okay work at a different pace, and that is not either failure, or an inherently bad thing that must be stopped by any measures possible. 

Like I said, my work looks different now. I have two projects I'm working on. Both are revisions, both are on the last stop before the editing train begins, with one hopefully heading that way in November, and the other in April 2027. For all the things I hate about that huge chunk of time I wasn't able to work, the distance it gave me for both projects is not one of them. I had story fixes that even at the time I knew would have to be seriously worked on in dev edits, and other bits and pieces that at the time, I did not know if it were possible for me to manage to smooth things out before dev edits. Both of these issues are mostly now non-issues, I fixed the plot bits, I found solutions, and ways to naturally weave things through. That was a very big plus, because an author brain at rest, is not totally shut down.

But anyway, onto the facts and the projects. I'm gonna start us off with Visible, which is the third in the Invisible quartet, a YA dystopian dealing with chronic illness, disabled resilience, and the haunting reality that disability is somehow always inherently bad. Two POVs, all living in a futuristic England where the country is split into 9 self-governing segments. One day bombs fall on Zya's segment (South-West), and Jonah's segment (North-West). The bombs contained a virus that infected and disabled all survivors, leaving the segments on their knees, and striving to survive. Obviously with this being the third book, there are some things I can't share due to spoilers, but I shall do my best!

FACT #1: ZYA WILL FIGHT TO GET ANSWERS
Zya, has been disabled since a very young age, and with them all being outside of the segments, the only place any of them have ever known, she will take that leadership given to her and do whatever she can to protect everyone. Even those who might be seeming to hold back on some of the very real truths about the way the world is, and also what lies ahead for them. Zya will fight for answers, and to save as many as she can.

FACT #2: JONAH WILL NO LONGER BE PASSIVE
While Jonah became disabled because of the virus, and while he has been the more severely affected, he is not going to lie down and expect someone else to save him, or anyone else he cares about. He will adjust, he will do better, and he is no longer going to be the weakest link, even with the body blows coming his way time after time, he will fight so that everyone he cares about might survive.

FACT #3: THEIR JOURNEY IS FAR FROM OVER
The group of them, those who came with Zya, and those with Jonah, are in for the fight of their lives. One side want to use them, the other sees them as beyond saving, and the whole group is having to come to terms with the fact that no one is coming to save them, and they are going to have to fight to live, and hope that they all come through the other side of it all.

The second project is Cramping Chronicles: The Fifth Agony, which is the fifth and final book in the Cramping Chronicles series, which is a YA urban fantasy dealing with empaths, triggers, chronic illness, and a threat to the world as we know it. Again, I can't give spoilers because that would not be good, but it's gonna be good!

FACT #4: JESSIE IS THE ONE THAT NEEDS SAVING
Jessie, the main character has gone through a whole lot, learning about her empath ability, working out how to control it, and dealing with all of her triggers, and this time, she's the one that needs to be saved, and no one knows if it's even possible. The focus has to be on making sure that threat is stopped, but the horrible things is, it might be at the expense of saving Jessie, and no one wants that.

FACT #5: ROE WILL DO EVERYTHING SHE CAN, EVEN AT THE RISK OF HER SAFETY
Roe might not have been the one closest to Jessie, with Meera being Jessie's girlfriend, and Gray being her childhood bestie, but Roe is the one who seems to have some way to reach across the breach between her and Jessie, and she will do that, and anything else that might help, even if it puts her life at risk.

So there you go, my five facts of my two current projects. I don't know if I will ever be back to the level of working I was before, but right now I'm okay with just being here, and able, to continue being an author. 

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Life Of Joey & Bi-Monthly Goals - September 2026 [CC]

Looking back over what I achieved last month, as well as reviewing goals, and setting some new ones! #Authortube

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