Tuesday, 19 March 2019


Tara and Nate's relationship has moved on since Sixth Change but will she ever stop being a lovestruck teenager?

[ID: A graphic with a teaser for Dying Thoughts - Seventh Death. The title is large under which is: COMING IN MAY 2019. The teaser reads as follows:

“I wish they would stop spending money on crap and actually fix the fucking heating,” I said, thinking back to my earlier observations.
“I love it when you swear,” Nate said, his smile showing off his dimple.
“Ummm,” I said, desperate to think of something to say, anything would do. So long as it didn’t make me look like a love struck teen who needed to take some time and learn more vocabulary. “Thanks?”


Don't forget the cover reveal on the 21st! So excited to share it with you guys on my Authortube channel!

Monday, 18 March 2019


To celebrate having won two awards I will be giving away one copy of the two books to two lucky winners!
1. Must be following @authorjoeypaul
2. Must share this post on their insta-stories for 24hrs and tag me so I see it!
3. Must be able to give me their mailing address.
4. Giveaway ends Monday 25th March at 12 midday GMT.
5. That's all! Have fun!

Diversity In Fiction - The Creative Process


This has been on my list to write for a while and because of that I've had a lot of time to think about how to put it all on the page. I've talked about disability and writing before. I've talked about why representation matters (found here) and my own thoughts of writing disabled characters (video here). Next week I will be focusing solely on that, so for now I'm going to stick to plain old diversity and why you as a writer, whether you are marginalised or not, should be writing a diverse cast of characters and stories.

When writing you're generally in charge of what the world you're writing about looks like. A lot of the arguments throughout the interweb are that people either don't want to get it wrong, or don't feel like including 'diverse' characters should be 'forced' on a writer. I have to say, if you think the latter, then I gotta wonder what you're doing writing in the first place. I feel like a lot of the time, in that regard it's usually people who've just started writing and are, generally, seeing themselves in fiction constantly. They're usually white, het, cis, abled and male, though of course white woman do the same as well. And I'm not going to say that I got it right first time around. I didn't.

For a long time I didn't really think beyond my characters' names and make up. I didn't think about whether or not they should be gay or straight or trans or non-binary. Disabled or chronically ill, or religious or not. Or non-white or any of those things. Because I was writing what I thought were the stories that I should tell. The stories of, mostly, white, abled, teens. It was really only when I finally got the courage to write Lynne & Hope, that I went all out and made Hope unapologetically disabled. There was no getting around the wheelchair on the front cover. You couldn't argue she wasn't disabled, it was right there.

But I still didn't always talk about skin colour when describing my characters. It's something that I've learned from and something I am striving to do better. And a lot of that was ignorance. It was not knowing any better, or at least not consciously knowing any better. And now, here we are in 2019 and I am writing diverse books. I don't do it because I want a pat on the back. I don't do it for sales, I do it because those are the stories that I want to tell. These are the characters that popped into my head and wouldn't shut up. And it's not about being forced, it's about being aware that there are people who are not me in my worlds. They're not white, nor are they bi, nor are they cis female. The worlds I create are made up of multitudes of people and that's because they are real worlds.

Look at it this way, no one is going to tell you how to write your story, but if you only see the 'default' as the only cast of characters, then your world needs work. As for those who are afraid of getting it wrong, that's a valid fear and one I have come to face myself. But that's why there's research. You can talk to people, get beta readers who are in those marginalised groups. You can contact people you know, and ask, respectfully, about what tropes to avoid and what things to think about when writing this story.

Though, I will say that there are some stories that non-marginalised people shouldn't write. And those are the stories that are about being marginalised. Like I shouldn't write a story about living with racism because I never have and never will. BUT I can write a story about a black or brown kid doing their normal life, because the whole point of a character is for them to be well-rounded and not reduced to one attribute and only that. So if you're shying away from writing a disabled character because you think you need to be disabled, then just remember that you don't have to write a story based solely around disability. I feel like those should be left to the people, like me, who have experienced that kind of oppression. The same goes across the board of course.

So when it comes to planning your cast of characters, just remember that there is no default, and if you think otherwise, then you might need to open your eyes to the actual world around you. Good luck!

Follow Joey here on her blog, or on Facebook or Tumblr to be kept up to date with the latest news regarding Joey and her books

Sunday, 17 March 2019

BONUS SUNDAY: Author Tag: Hello World Authortube Newbie Tag [CC]


CREATOR: MEGAN TENNANT: https://www.youtube.com/watch?v=ikpeUlwUZ5Q

TAGGED BY CHRISTOPHER DROST: https://www.youtube.com/watch?v=w-g4Cn3tJqc&feature=youtu.be

Hello World Authortube Tag Questions

1) What genre and age group do you write in?
2) What stage of the writing journey are you in? And how long have you been writing for?
3) What’s your current WIP?
4) Traditional, indie, or unsure?
5) What made you want to join authortube?
6) Are there any channels (authortube or otherwise) that inspired you to join?
7) How long have you been watching authortube?
8) Is there anything special or unique you hope to bring to Youtube?
9) What inspired you to start writing?
10) Now to start out your authortube channel in the true nature of authortube. What’s your favorite piece of writing advice?



COVER REVEAL FOR DTSD SIGN UP: https://goo.gl/forms/d6fYa2FpSqeYvldO2
BUY WALK A MILE: http://www.books2read.com/WAM
THE BOOK ROBIN HOODS: https://therobinhoods.wixsite.com/thebookrobinhoods
BUY MY BOOKS: http://www.joeypaulonline.com/p/aboutjoeys-books.html
BLOG: http://www.joeypaulonline.com/
TUMBLR: http://authorjoeypaul.tumblr.com
FACEBOOK: http://facebook.com/JoeyPaulOnline
TWITTER: http://twitter.com/MsJoeyBug
INSTAGRAM: http://instagram.com/authorjoeypaul
GOODREADS: http://bit.ly/1UcS61E

Friday, 15 March 2019

Review of Delusional by Micheal Evans

Memories will make you.

Natalie isn’t dead, but her past is. With Protocol 00 finally having been shut down, the free will of the country was received at the price of the memories of Natalie. After being found trespassing in Area 51 she is taken as prisoner where her mind is wiped and life meets its impending doom. However, just before she is about to be executed she is broken out of Area 51 by the White Knights, where she is thrust into a war-torn land with the expectation that she will lead the overthrow of President Ash’s regime once and for all.

But although Natalie wants to help end all the destruction she feels she has caused, she wants to get her memories and past back more than anything. Surrounded by lies and manipulation, Natalie quickly realizes that no one seems to care or have answers about her past. And with the government still out to kill her, the real struggle becomes, not if she will get her memories back, but if she will live to make more.   

My review: 4 stars
I picked this up as the first one had intrigued me and I wanted to see where the author went with the story. I felt like I was pulled in, yet there were times when there seemed to be too much of the same thing. Natalie has lost her memories and is in a race against time to either get them back or learn to move on without them. Yet everyone around her wants something from her, whether that's what she wants or not. She's left without a choice and while she fights against the system, she finds hope in that one day she will truly be whole again. I enjoyed the read and didn't see the ending coming. I'm looking forward to reading the next in the series!

You can follow Michael on Instagram, Facebook, Goodreads and Twitter.

Join Joey here on the blog on Fridays for interviews, reviews and guest bloggers. If you'd be interested in doing any of those, you can contact Joey here

Thursday, 14 March 2019

Life Of Joey & Bi-Monthly Goals - March 2019 [CC]

All about my life in the past month and what I've been up to! #Authortube

COVER REVEAL FOR DTSD SIGN UP: https://goo.gl/forms/d6fYa2FpSqeYvldO2
BUY WALK A MILE: http://www.books2read.com/WAM
THE BOOK ROBIN HOODS: https://therobinhoods.wixsite.com/thebookrobinhoods
BUY MY BOOKS: http://www.joeypaulonline.com/p/aboutjoeys-books.html
BLOG: http://www.joeypaulonline.com/
TUMBLR: http://authorjoeypaul.tumblr.com
FACEBOOK: http://facebook.com/JoeyPaulOnline
TWITTER: http://twitter.com/MsJoeyBug
INSTAGRAM: http://instagram.com/authorjoeypaul
GOODREADS: http://bit.ly/1UcS61E

Wednesday, 13 March 2019

Award Winning Books

I am honoured to announce that both It's Not Always Rainbows and Walk A Mile both won awards in the 5th annual New Apple Literary Awards 2018.

It's Not Always Rainbows was the solo medallist in the Gay/Lesbian/Bi/Trans genre

Walk A Mile was in the Official Selection for YA Mystery/Thriller genre!

I am so floored by this!

Monday, 11 March 2019

From Joey's Instagram

Character Flaws - The Creative Process


Something you learn when writing is that no character is perfect. They can't be, because they're, generally, human, and no human is perfect. Part of creating a well-rounded character is giving them flaws that set them off from being the perfect person ever. It's something you notice if, like me, you've spent a lot of your time people watching and creating characters based on faces and actions from those around you. Everyone has flaws and every character has at least one distinct thing that they do wrong or differently to any one else. It's part of the creative process, but it's not something I've touched on before. So today, I'm going to tell you all about character flaws and why they matter in your story.

I don't know about you guys, but the first thing I usually have when creating a character is a name and an idea of what they look like. I know a lot of writers who struggle with the first but always have a good idea of the second. I've been known to troll baby name sites, but in actuality making up names comes pretty easy for me. So once I have that down, I'll start thinking about how they are. I don't always know much about them as a character until I start writing, start finding their voice and such, because I'm a hybrid and that's how I do things (pieces found here and here).

However, I can tell you a few bits and pieces about how I work out what flaws need to apply to each character and how they're not set in stone. Because I do a lot of my character discovery through writing, it's easier for me to pants the majority of it and then tighten things up in revision and edits. But I do have a five-step plan for working out what things they may or may not do and how I get that to translate into tangible flaws. So buckle up, we're going in!


By this I mean, are they helping the protag or are they actively working against them. Of course no character is one hundred percent bad or good, but asking myself this can give me a good idea as to whether or not they fit the mould for someone who will be helping, or someone who will do whatever they can to put roadblocks in the way of the main plot. Once I have that decided, I can work out the rest. That's not to say that characters don't change sides, because sometimes they do, and sometimes as I'm writing them I realise that I actually have it wrong and it works better if they switch from one side to the other, or even remain indifferent to the plot.

In other words, are they honest? Would they be the kind of person to self-sacrifice at whatever cost it may be? Are they going to stand by their words or are they wishy-washy and just wanting to please whoever is in front of them? Do they want to be well-liked or could they not care one iota who likes them or not? Do they find making friends easy? Do they have personal struggles that may not get mentioned in the story itself, but do play a part in their characterisation? Do you they want the same things as other characters and if not, why not? All of these are questions that can be asked and not all of them will have answers, but the idea is to have a general idea about who they are as a person.

I'm asking myself this because if they're the kind of person who stands by what they say and do, is there anything that would cause them to change that stance? And if there is, what is it and does it come into the story at all? If it's something that can only be reached by high stakes, do I want to put them in that position and see exactly how they react. A lot of the time, this is stuff that won't come up in the story itself, but will give me hints to their flaws and make up. It'll give me a starting point and allow me to move onto the next step.

Here's where you get to do a lot more creating. It depends from writer to writer just how much detail you go into here. Personally I have run the gamut of doing a whole load to barely anything. It really just depends on both the character and their role in the story. For example, a main character is going to get a bigger workup than someone who's only in one chapter and doesn't play a bit part. It's of course, dealer's choice, because for some people this is where they really feel like they get to know the character well, and that's okay. I will put a caveat here about not going completely tragic for every character. While yes, there should, may, will, be some that have a very tragic backstory, it's not the case for everyone and it needs to make sense for both the individual character and their part in your story. Your mileage may, of course, vary.

There's something to be said for this final one. In all my years of making characters, I've come across some in my own work, and in other works of fiction where I've felt like the flaws don't match the character themselves. Yes, they are a creation of the author, but you have to have things balanced out and matching. You need to make sure that you don't just pile on the flaws for the bad guy and leave the good one without any, or some that barely seem to matter in the grand scheme of things. So this final checkpoint is a way for me to go back over the other four points and make sure that I've not skipped a step along the way. It's saved me from some big mistakes in my writing.

So those are my five ways of working out character flaws. As I said, all characters have them to some degree and if yours don't, then you might need to start thinking about why, and how to change that. No one is perfect, and no character should be either. Good luck!

Follow Joey here on her blog, or on Facebook or Tumblr to be kept up to date with the latest news regarding Joey and her books