Tuesday, 30 September 2025

#TeaserTuesday


Jessie is gonna have a collective...

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[ID: A dark green background with the title CRAMPING CHRONICLES: THE FOURTH TORMENT at the top and coming October 14th 2025 just below the title The except reads:

Do you think I could find out how to form it? Make it official? J x.
With all of us?? G x.
Yeah, if you'd all be okay w/ that then I can't think of a foursome better suited to having my back. :) J x.
Hell yeah! I don't know how to make it official, but find out & I'm on board! I know the others would be too! G x.

At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, and in the bottom right corner is the logo for Bug Books. END ID]

 

Monday, 29 September 2025

Learning How You Revise - The After Process

LEARNING HOW YOU REVISE

Last week I talked about learning how you write (piece found here), and this week I thought I would delve into another part of the writing process, and one that I am mostly focused on now, and that's revision. First I need to kinda define that because some writers view revision and editing as interchangeable words, and I don't. Revision for me is working through the drafts without outside feedback. Editing is when you get the professionals involved. 

So with that said, how can you learn how you personally revise? I've been doing revision the whole of my writing career because it's something where you have to get into it. I never really enjoyed it, and worried that it was a time suck that didn't make a massive difference. It's only in the last five or six years that I've latched onto a way of doing things that helps me both stay focused, and also brings about a better end product. 

Too often people feel like you write the first draft, you make no changes, send it off to betas, maybe an editor, and you kinda ignore the feedback and then boom, you're done and you can publish. For me, I will put a project in revisions way before it goes to the editor. I do this for many reasons, one being that I know sometimes I overwrite, and I know that there are already going to be inconsistencies and I want to correct those before an editor, or anyone really, reads through it. It's worked for me, I've caught things that would've been horrible to miss, and I've also had ideas to change some of the plot and such throughout the story.

So for me, revision is a necessary part of the process. I've spent the past year or so revising older projects so that I have more time with them. When I first took on that task, I was super anxious about how I was going to find a way of working that actually fitted with the way I worked when drafting. I needn't have worried because I dove into the revisions and found that actually it worked out pretty well, and because of the way I worked, it meant I could add more projects to my work load as needed.

Now I'm not trying to suggest that everyone should be doing multiple projects at once. I'm just talking about the way it works for me. But if you're sitting there and wondering how on earth you work out how you revise, then I have some tips for you.

#1 HAVE A GOAL IN MIND
The thing with revision is it can be never ending. I mean there isn't anyone who's going to tell you exactly how many drafts and such you'll need to do before you're finished. That's going to be up to your own judgement and it can be kinda overwhelming when you don't actually know what you want at the end of it all. So make sure you have some kind of end goal in mind, and when you reach that goal, know that you are done.

#2 DEADLINES CAN WORK
I've never been someone who's good with deadlines. I get anxious, I push myself too hard, and then I end up flailing around and find it just distracts me more than anything. But when it comes to things like the editing cycle, there need to be deadlines in place. Otherwise it just creates a mess for you, your editor, and everyone else involved too. So if you can, set some kind of deadline, it will help you work out what you need to be doing when, and going from there.

#3 DON'T BE AFRAID TO CHANGE THINGS UP

Like with drafting, there can be a lot of ways to revise. I personally do outlines and have goals for each draft. Some people will work on only one chapter at a time and when that's perfect, they'll move onto the next one and so on. If you've found a way that works for one project, but doesn't for another, don't be afraid to change, to pivot, and find a new way of working. Nothing is set in stone here.

So there we go, my tips when it comes to learning how you revise. Take what works, leave what doesn't, and make sure you pay attention to those deadlines.

Good luck!

Any questions? Lemme know in the comments!  

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Friday, 26 September 2025

Review of Afterimage by Justine Alexi

The world’s been destroyed.

Adam and Isabella are dead.

And Afterthoughts Labs is no closer to changing the past than they were when the experiments began.

Kanara isn’t supposed to remember any of that. She isn’t supposed to remember anything that happened during her sixtieth trial as a test subject at Afterthoughts Lab. Meanwhile, none of Kanara’s friends remember her, other than Eliot, and she can’t talk freely with him, either. Security cameras feed her every word back to her captors, and there are spies in her therapy group.

Dr. Zylen says they're here to change the past. To save the world. But Isabella left behind a message, a clue from a previous test trial where she unraveled more of the truth than even Eliot knows. If Isabella is right, there's something Dr. Zylen isn't telling them. It could be a matter of life and death.

And if anyone finds out that Kanara's on to him? Well, that's a matter of life and death, too.

Amazon 

My Review:  4.5 STARS

I read the first book in this series, and the prequel and loved them. I was itching to know what would happen next, with all the secrets out in the open and I fell into the story quickly turning the pages as I tried to predict the many twists and turns. Overall it was an excellent sequel, though there were some parts that I felt like could’ve been explained better. Though it didn’t really detract from the enthralling and compelling narrative. Will read the next book and wait anxiously to know what happens next. Recommended!

Join Joey here on the blog on Fridays for interviews, reviews and guest bloggers. If you'd be interested in doing any of those, you can contact Joey here  

 

Thursday, 25 September 2025

Novel News: What's Coming 2026? [CC]

Telling you about what I plan to release in 2026! #Authortube

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Tuesday, 23 September 2025

#TeaserTuesday


Jessie starts to realise there's a danger to being in this place...

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[ID: A dark green background with the title CRAMPING CHRONICLES: THE FOURTH TORMENT at the top and coming October 14th 2025 just below the title The except reads:

“I didn't mean... I-I don't have a collective,” I said, stammering over my words a little.
She snorted in disgust. “You tell lies like that, and you wonder why you end up in my realm,” she said, shaking her head. It was only as I studied her that I realised she was becoming less of a melting mess and more of a solid form. What did that mean? Was I seeing her because I was close to crossing over?

At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, and in the bottom right corner is the logo for Bug Books. END ID]

 

Monday, 22 September 2025

Learning How You Write - The Creative Process

LEARNING HOW YOU WRITE

Last week I touched a little on writing routines (found here), and this week I thought I would go into learning how you personally write. I am someone who mostly pants through my drafts. I have a minimal outline, but it's really me telling myself the story as I write it. Now I know that a lot of people will outline a lot more extensively, and if that works for you, great, but it's never been something I find helps.

When I talk about learning how you personally write, I'm not talking about what software or method you use, but more about finding that routine that works for you. I know that I'm a morning writer in that I wake up naturally between 1-3am and will sit down and do my work then. It's not for everyone, and over the years I've also been an afternoon writer, a night writer, and an evening writer. It can chop and change as your life chops and changes, and that's completely normal and valid.

So what can you do to find out the best way for you to approach writing? Here are some of my tips.

#1 TRY AND OUTLINE
I say this because most of the time, it actually turns out that putting some goal posts on where you want to be with each chapter can make sure that the story is completed. You don't have to go into massive detail, even if it's just a couple of words, if you feel like that will help you bring about a completed story, then do it. If it doesn't work, you don't have to follow it to the letter.

#2 WORK OUT TIME
For this I simply mean try and work out when you'll have a decent chunk of time to work, and then attempt to write during that time for at least a week. I say more than a day because sometimes it takes us a while to know whether something is actually working for us. If you, after that week, find you got next to nothing done, or would like to try other times, then do that, and follow through with keeping it that way for the week. When you have enough data to be sure, that's when you'll know what works best for you as a writer.

#3 DISTRACTIONS MIGHT WORK
I am someone who can't write with music. I've tried, I don't have playlists or the like for my books because I just can't concentrate on writing while I'm hearing other noise. That might be down to me, but I do know other writers who have the same issue. That doesn't mean it won't work for you. If you have a playlist to write to and it helps you, then by all means add it to the routine and you're golden. But if you find that it means you don't actually get into the writing because of the distraction, then don't be afraid to go without it.

#4 CHANGE THINGS UP WHERE POSSIBLE
I write, mostly, at my desk. I have also written in bed, and written in coffee shops and the like. I find the first is the best one for me to feel like I'm really honed in on what I need to do. So if you have a desk and that works, great, but don't be afraid to try new things, to try different areas, and to work out what actually works for you. You might find something or somewhere that increases the ease with which you write.

So there we go, those are my tips when it comes to learning how you write. As I said, sometimes it can take a whole lot of trial and error and that's completely normal. Just keep moving forward, keep trying new things, and when you find a routine, you're golden.

Good luck!

Any questions? Lemme know in the comments! 

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Friday, 19 September 2025

Review of The Immortal Secret by Christina Farley

Step into a world where immortals reign and power is everything. Estrella, an immortal stripped of her memories, is banished to live as a mortal at the mysterious Home for Girls in Florida. She begins to unravel the mystery of her past and discovers dark and terrifying secrets about her own abilities.

But when she meets two immortal rivals for her heart, her life spirals further out of control. One offers protection from her past, while the other urges her to embrace it. She debates who to trust and unwittingly thrusts herself and friends at the Home into a struggle against the powers who put them there.

Yet as memories resurface, Estrella realizes her forgotten past holds a secret more dangerous than she could have ever imagined. As powerful forces try to stop her, she must decide who she can trust her heart with.
 
Amazon  
My Review: 5 STARS

I picked this up despite not really being one for fantasy yet the blurb called to me. The beginning was so explosive that I was hooked from the first page and dove right into a world like ours but not in so many different ways. I adored Estrella and loved how she kept her mind her own and made her own decisions. I loved the way the story twisted around the narrative so that, along with Estrella, you were never quite sure who to trust and who not to. An amazing start to a series and one I recommend!

Join Joey here on the blog on Fridays for interviews, reviews and guest bloggers. If you'd be interested in doing any of those, you can contact Joey here  

 

Thursday, 18 September 2025

Tips & Tricks: Getting Organised [CC]

Giving you some of my tips and tricks for getting organised! #Authortube 

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Tuesday, 16 September 2025

#TeaserTuesday


Jessie will do whatever she can to stop this from happening...

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[ID: A dark green background with the title CRAMPING CHRONICLES: THE FOURTH TORMENT at the top and coming October 14th 2025 just below the title The except reads:

“Ah, empath,” she said, in a sing-song voice. “We meet again.”
She was to the left of my wheelchair, body in varying stages of decay, and that horrible rotting flesh smell filled my nostrils. Yet she didn't come closer. She didn't lean in like she had before. I looked into her melting eyes, took in the yellow shade of her teeth as her plump lips stayed in a stasis between there and slipping off her face.
“I can't stop it,” I said, forcing the words out. “I spoke to someone about being bound, they said it would be too dangerous.”

At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, and in the bottom right corner is the logo for Bug Books. END ID]

 

Monday, 15 September 2025

Learning When To Push - The Creative Process

LEARNING WHEN TO PUSH

Given that last week I talk about learning how to rest (piece found here), it might seem counter-intuitive that this week I'm talking about pushing yourself. I promise you that the two are linked yes, and they do not cancel each other out. Rest is still so very important to the author life, but so is finding those limits and trying to stretch and move past them when the need arises.

When I first started writing, I didn't push myself because at the time I didn't see it as a career. At the time it was something to do for fun, and it was really only the last decade that I've had some kind of writing routine, and been able to find a way that works for me. That's what I'm talking about today, how to hone in on that writing routine, and pushing yourself a little is part of that.

I don't think any writer tries one routine and instantly finds the thing and way that works best for them. We are all unique in the way we work, and while there may be similarities between the way I do things and the way someone else does things, it's never exactly the same. Finding a writing routine is all about trial and error, taking this thing from someone else and added, and adapting, it to your toolbox. Too much of the time the focus is on productivity, that we should be working above all else, and that's just not true.

Your worth is not tied to how many words you wrote this week, month, or year. Sure if you're someone like me who lots the data and stats, then it can be fun to work out, but you are not defined by them. When you're first starting out it can be easy to get caught up in comparing yourself to other, established, writers and authors, and that's a trap I don't want anyone else to fall into.

It's basically the same as comparing your first draft to someone's extremely polished book. There's no comparison because one has just been written and the other has been worked on for a long while. So when it comes to writing routines, and when it comes to working out how much to push yourself, keep in mind that while you know you best, so do the people who post their routines, they know how they personally work. So, of course they're going to seem like they have it all sorted when sometimes a lot of that knowledge comes from a lot of experimenting and the like.  

The truth is that pushing yourself does have its place. If you've been trying to work out if you're able to manage more on your plate, then pushing a little can help you really fathom whether this is something that's sustainable, or something that's going to push you over the edge. Like I know, from pushing myself, that I can usually manage at least one thing a day. I also know that so long as it's not constant, I can sometimes manage two or three things a day working wise.

I've taken that knowledge and applied it across the month so that yes, I have days when I do two things, but it's not every single day, and it's also not several days in a row, because doing that will cause me to end up in a flare, and the work to suffer for it. I don't want to have to miss a whole week because I pushed myself way too much and ended up flat on my back and laid up with pain and such. 

So learning when to push is a great tool to help you manage and work out what works for you, what doesn't, and the circumstances for both. Take it slow, don't be afraid to stop, don't forgo rests, and make sure you look after yourself in the process. You will thank yourself later.

Good luck!

Any questions? Lemme know in the comments! 

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Friday, 12 September 2025

Review of The Thorn Princess by Rebekah Wilson

Ivy Hawthorne is certain of one thing: she's a complete freak.

Quiet, intelligent, and a little odd, Ivy has always felt like an outsider at Kingston Academy, a private boarding school in the middle of the mountains. Maybe it's because she sees auras that reveal people's moods and motives. Or it could be the connection she feels with the animals that watch her from beyond the school's iron gate. It could also be her ethereal complexion and glass green eyes that have made her the target of Kingston's top mean girls for years. Perhaps it's because sometimes, her dreams play out in reality.

And let's not forget about the fact that her mother is institutionalized for a mental illness.

But even for Ivy, things have gone from strange to downright bizarre. The animals have started following her. Strangers have been watching her. And when she gets angry or upset, inexplicable things, horrible things, are bound to happen. But the craziest thing of all is the sudden arrival of Barrett Forbes, a dark, mysterious transfer student who causes her to question who--and
what--she really is.

The more Ivy gets to know Barrett, the more she learns about the dark truth behind her lonely, isolated childhood. As she digs deeper into her past, Ivy discovers the shocking truth about her family and where her true destiny lies.
My Review: 5 STARS
While fantasy is not usually a genre that calls to me, this one sounded like it would be right up my street, and I was delighted to fall into the pages and lose myself in a different world for a while. I adored Ivy and Bear, and the way their story was written and the twists and turns moved it along, I couldn’t help but ache for both of them. This was a perfect start to the series, especially with that ending and I am hooked, needing to know what happens next, needing to see them maybe have a happy ending. Very much recommended to all who love fantasy with a real-world view!
Join Joey here on the blog on Fridays for interviews, reviews and guest bloggers. If you'd be interested in doing any of those, you can contact Joey here  

Thursday, 11 September 2025

Life Of Joey & Bi-Monthly Goals - September 2025 [CC]

Letting you know what I've been up to last month, as well as reviewing and setting new goals! #Authortube 

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Tuesday, 9 September 2025

#TeaserTuesday


Jessie and her friends are on the case...

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[ID: A dark green background with the title CRAMPING CHRONICLES: THE FOURTH TORMENT at the top and coming October 14th 2025 just below the title The except reads:

It said “But the Protector greeted me as an old friend and gave me one message before she sent me back: Times are coming to be wary. One will develop who crosses here often and when they come, devastation reigns.” J x.
Whoa, why didn't you mention this last night?? R x.
I was kinda knocked out by it all tbh. Sorry. J x.

At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, and in the bottom right corner is the logo for Bug Books. END ID]

 

Monday, 8 September 2025

Learning To Rest - The Creative Process

LEARNING TO REST

One thing I am pretty well known for is advocating for time off, for rest, for breaks. I've always been clear that you shouldn't have to earn these, that you shouldn't have to have met all your targets before you're allowed to take breaks and rest, and I stand by that. The issue is that when you're indie, and sometimes when you're not, a lot of the decisions have to be made by you. I have to make sure that all my socials happen, I don't have a team behind me, and while I may have things like scheduling posts, a lot of the input for my author platform comes from work behind the scenes by me. 

Saying that, it's not that I don't rest, or don't take time when needed. I do it frequently because as someone who's chronically ill and disabled, if I don't rest and take that time, my body will pay me back in new and very not interesting ways. So I try to make sure that I listen to my body and work out what I can do, when I can do it, and if it's possible for me to stay on target, and if not, remind myself to not feel guilty about needing that time to just not work.

It didn't happen overnight. It wasn't fast. It didn't come without a lot of talking to myself, and others, and being clear that I had to take care of myself first before I could put blog posts and the like out about doing so. It took me a long while to lose the guilt that came when I had those days off. I would feel like, because I was chronically ill and disabled, I should be making the most of time when I can work. But here's the thing, pacing works for a reason, pushing yourself to breaking point is not going to hep you on the days when you have literally done too much and your body is waving that little white flag.

So how did I stop feeling guilty? I don't want to be glib, but it came down to experience. I have a very full plate when it comes to working as an indie author. I have projects on the go, I have an authortube channel, I have videos to record and script, I have blog posts to write, I have books to read and authors to interview, all to keep myself on target so that I can allow my website to stay up to date, and allow myself to stay on track. That's a lot for anyone, but when you take into account the energy limiting conditions, it's even more so an issue.

A lot of what I do is about finding that balance which I've talked about before. It's about working out what I can and can't do in a day or work session, and making sure that when I've done that thing, I don't then take on more things to get done. Sometimes it can feel like being selfish, but also, your body needs that break, and as a creative, you need that downtime because otherwise you will burn out and no one wants that for you. 

Rest is conducive to longevity in the creative fields. You'll see and hear about writers or authors or the like who will push and push and put out multiple books a year, and then suddenly, after a period, they go dark, and they might come back, but they also might not. Rest, knowing how to switch off and take that time, can save your long term career. Because sometimes, the truth is, you don't come back from burnout able to continue and pick up where you left off. Which can be terrifying.

I've not been someone who had a childhood dream of being an author. I was sure in what I wanted to be when I grew up, and while writing and publishing was there as a side dream, it wasn't the main event. Now though, now that my life has thrown me the curveballs that have defined the path I take, I could not imagine not being able to write any more. It feels like a core part of who I am, and I don't want anyone, friend or not, to end up pushing themselves into a place where writing is no longer something they can do.

So take those breaks, lean into that rest, and remember to breathe, remember that the work will be there when you get back, and it is better for you in the long run.

Good luck!

Any questions? Lemme know in the comments!  

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Friday, 5 September 2025

Review of Adapted: Ice by Elizabeth Caroline

Claudia thought she was the only one. But in Westpoint, she’s not alone.

Revealing her ability to her friends brings an unexpected truth - each of them has a unique power of their own. Together, they form a group with a simple goal: to find others like them and understand who, or what, they really are. For the first time, life feels like it’s falling into place.

That is, until an old family acquaintance resurfaces, holding a grudge that’s been simmering for years. Claudia is soon dragged into his quest of revenge and becomes the victim of a mind game that causes her to switch between herself and her alter ego. A switch that is so fluid that it causes even her to question which voice is truly hers.

Now, it’s up to her friends to step up and push the limits of their abilities - abilities they’ve always held back, each for their own reasons. But their powers are untested, and the stakes are higher than ever.
 
Amazon  
 
My Review: 5 STARS

I grabbed this one when I bought the first in this series and fell in love with all the characters. The twists and turns Caroline weaves through her words allow you to settle in and get lost in her world. I adored Claudia and I loved the dynamics of all the relationships. The whole thing was something I sank into and didn’t look up again until it was over. An excellent book, and one that I recommend to all those who love the paranormal and supernatural genre.

Join Joey here on the blog on Fridays for interviews, reviews and guest bloggers. If you'd be interested in doing any of those, you can contact Joey here  

 

Thursday, 4 September 2025

Balancing Projects [CC]

Giving you some tips about balancing projects! #Authortube

 
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Tuesday, 2 September 2025

#TeaserTuesday


Jessie is looking for anything that will help...

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[ID: A dark green background with the title CRAMPING CHRONICLES: THE FOURTH TORMENT at the top and coming October 14th 2025 just below the title The except reads:

She'd mentioned being bound. Mary's diary had mentioned the same. Was it possible that was a way to check out of empath life and solve this latest crisis? And what of the words to Natalie on her last documented trip to the In-Between? Was she talking about me, or had I been reading too many dystopians about chosen ones who bring doom, gloom, and destruction to their worlds?

At the bottom is Joey Paul and just below that the website www.joeypaulonline.com, and in the bottom right corner is the logo for Bug Books. END ID]

 

Monday, 1 September 2025

Being An Anxious Writer/Author

BEING AN ANXIOUS WRITER/AUTHOR

I have always struggled with anxiety. I find it hits at the weirdest times, and sometimes it overwhelms me to the point where I have to stop what I'm doing, take a break and come back to it later. I know I'm not the only one who has times like these, but I do feel like mental health issues aren't talked about by writers as much as the physical ones. Some of that might be the stigma, or just people not realising that their experience while unique, is also felt by others in the writing and author space.

There have been a lot of tools in my toolbox for anxiety. Whether that's reaching out to writer friends, or just my friends who I can go to with anything, or whether that's talking it through with my awesome editor, or even talking about it more openly on socials. There are ways to deal with it, and ways to allow yourself to breathe a little along the way.

Drafting has, not really, ever been something that heightens my anxiety. I feel at home drafting and creating. I feel like even if there's something that's not working, I have time to fix it later. This mindset might be just the reason that revision causes me more anxiety and editing even more so. I have reached the later, and now I have to fix it otherwise things are not going to go well.

Of course, having worked with editors who haven't been all that patient, and a bit aggressive in the way they phrase their feedback hasn't helped the editing process become something I can look forward to. After all, a learned response is hard to break, and for a while I worked with an editor where I felt like one step wrong would unleash a barrage of anger and I never do well with confrontation, especially like that. Thankfully I've not worked with this editor in a long long while, and because of that have had a couple of good experiences with other editors since. This has, somewhat, allowed me to unlearn that anxiety spike and start to lean into and enjoy the editing process more.

My point is that there are many pitfalls for those of us who are already prone to anxiety, and there are ways to deal with them. Whether that's finding someone who can, and does, support you, or finding a way of working that allows you to breathe, relax, and also somewhat enjoy the work you're doing. I had that with my last editor, and I have that with my current editor, and they've both really helped with working through that lingering anxiety tied to the editing process.

But it's not always easy to just unlearn something, and it's definitely not easy to cope with the constant thrum of anxiety when you're trying to do the one thing that you need to do before you can publish your next book. I've done breathing exercises, I've done down time. I've spent time listening to music, spent time reading through good things in my good stuff folder. I've talked to other writers about what is and isn't normal when it comes to what an editor should or shouldn't do, but my brain's natural response is to panic, is to get anxious, and while I hope that one day that will change, for now it's my reality.

So even if you're someone who gets anxious, try and find those ways to cope, to move through the anxiety and come out the other side. You will be a better writer for it. You've got this, and we believe in you!

Any questions? Lemme know in the comments! 

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