Spoonie Writer: Idenitifying As A Spoonie Writer

Spoonie Writer: Identifying As A Spoonie Writer

I've thought long and hard about this piece. It's been something on my mind for a while and it's something that ties in with two of my other posts: Being A Disabled Writer (found here) and Why Is Representation Important? (found here) If you're aware of who I am, then you're probably also aware that I am disabled and I identify as a "spoonie" (an explanation can be found here as to what the spoon theory is). I firmly believe that there is nothing wrong with being disabled and letting people know about it and how that disability affects your life, however, there are other people who think that by being so outspoken about disability, I'm asking to be treated differently, or to get special treatment. I'd like to address both of those in turn and explain why I have decided that being open about my disability is the course for me.

When I tell people that I am a disabled writer, I am not asking to be treated any differently than any other writer, indie or otherwise. I welcome reviews, regardless of who they are from. I'm aiming to get my books on other people's e-readers and have their honest feedback and I'm not telling you I'm disabled to garner sympathy. In fact, sympathy is the last thing I want. I do what I do because it's something I love, and the fact that I'm disabled has little bearing on my choice of profession.

Then why do I bother to identify as disabled, to have it on my blog, to have it in my bio? The answer to that is simple. The world is filled with people who are all different, from skin colour to religion, to ethnicity to social class and everything in between. I know that when I was growing up, I identified with other writers who were like me. Female, white and writing about difficult young adult subjects. I didn't become disabled until I was in my late teens and it was only then that I realised that writing was the career path I wanted to be on. When I was first starting out, I wanted to look at other authors and see myself in their fiction. Even now as a fully grown adult, it's still nice to be able to relate to a character (or their creator) because we have something in common.

For me, that's relatively easy because I'm white, but for other people of different skin colours, it's harder to see people like them in all forms of media. Be that books, films, plays or TV shows. This goes back to the point I wrote about in the representation piece, which is linked above. As someone who has what would seem to be the "default" skin colour for the majority of literary and fictional characters, I can't imagine how it would feel to not see yourself in those forms. For the black girl who wants to read about other black girls kicking ass and taking names and saving themselves/the world and/or their friends. I have been lucky enough to have had that representation growing up and there lies the reason I am open about my disabilities.

Say you have one hundred female book characters. Now, you take out the white, able-bodied ones and you're left with maybe say twenty. Out of that twenty, you'll have about nineteen able-bodied people of colour. The one disabled character out of that one hundred characters represents one of the most under-represented people in fiction, and that's even before you factor in intersectionality. Now, this is just my own judgement, but it's backed up here, here and here. Those are the first three that came up when I searched Google for "disabled women in fiction".

What does this have to do with my own choice to identify publicly as both disabled and a writer? Simple. There are a number of young people, some teenagers, some younger, who may come across my name or my book and be able to see that people with disabilities, in my case, white women, are able to achieve their dreams. They are able to do wonderful things and that they don't need to be ashamed of who they are, or what their disabilities are or anything like that. I want the next generation of writer's to grow up knowing that they can be disabled and they can be proud of that fact. I want them to know that it's not a shameful thing to say "Hey, I'm a disabled writer". Until we start to show that there is nothing wrong, they will remain hidden from view and no one deserves that.

Follow Joey on Facebook or here on her blog to be kept up to date with the latest news regarding Joey and her books.

The Trials Of An Indie Author: Writing Every Day

The Trials Of An Indie Author: Writing Every Day

I'm sure you've heard the common advice that as a writer, published or not, you should try to write something every day. It doesn't even have to be something for your latest works in progress, it doesn't even have to be fiction. It can be an email to a friend, a status update, a blog post or (and this is usually the best for writers) it can be part of a chapter. It's a piece of advice that has stuck with me for a long time. I've been writing as a career since 2005, which is when I was first published, but even before that, I'd always enjoyed writing a good story and even approached some publishers when I was thirteen and had written a "book" which was 36 pages on Word!

Since I became an indie author in 2011, I've made a lot of good friends in the writing world. Some of them are indie authors too, and others are published through traditional means. All of them have said to someone that you should try to write something every single day. After all, you are a writer, and if you get into the habit of writing, then good things will follow. You'll find yourself having writer's block less and less and your craft will be honed as you think up new things to write about.

While I understand that it is hard to always be thinking about writing something to your latest book - because let's face it, at times writer's block does happen - I find that even if I put all thoughts of my books out of my head and just write a blog piece or write an email to a friend, my fingers start to go faster and faster and before long I'm pulling up my Word document and typing something there as well. I'm not going to say that it happens every single time I write something because if that were the case I would have a lot more than twelve books written! However, it's like someone who trains for a sport professionally or even just as a hobby. The more time they put into practice, the easier they will find it. The same can be said to those who play musical instruments. If you practice every day - even for five or ten minutes - as those days turn into weeks and months, you'll develop more skills. The same can be said for writing.

For some people, writing is their job, for others it's a hobby or something to pass the time. For those of us who are trying to pay the bills with their words, we need to make sure that our brain stays in shape. By exercising it for a few minutes every day, you're doing just that! Now, for those of you who say that they just can't always write something new every single day, I would agree with you. As you're all very much aware, I have chronic illnesses and those inhibit how much work I get done on any given day. In the beginning of my career, I used to get angry with myself if I didn't write something. In turn, that anger would make me feel bad, which would make my physical symptoms seem or feel worse. It was a vicious cycle and one that took a lot of hard work to break free of.

The crux of it is this, if you're able to spend time writing something, then do so. Try to set aside five minutes in the evening when the kids are in bed or you're not thinking about work or housework or anything like that and just let yourself write something. It doesn't ever have to make it off the computer screen, or you can throw the piece of paper away afterwards and no one need ever know what you've written. If you want to keep it, that's okay too, if you want to show it off to your friends or whoever, that's also fine. I know a lot of writing communities who do daily prompts. They ask that you take the prompt and spend ten to fifteen minutes writing a short piece. That can do wonders to helping you get better as a writer, it can make you think outside of what you're working on, which in turn can lead to more work being done on your current project.

Basically, just as you make time to read in the evening, or to watch a certain TV show or whatever, try to make time to do a little writing. It doesn't have to be award winning, it doesn't have to even be that long, just something that you can use to exercise your writer muscles! After all, that's kind the definition of what we do!

Follow Joey on Facebook or here on her blog to be kept up to date with the latest news regarding Joey and her books.

Guest Blogger: Wendy Jones

I'm joined today by Wendy Jones, an indie author who has just released her début novel Killer's Countdown. She has written a piece on Forensics and research to share here, and after which I'll share my review of her book, as well as links to buy it!

Thank you for inviting me to take over the blog today at Joey Paul Online. It is a real honour and a pleasure to be here.

For those of your readers who don’t know me, I live in the Beautiful Scottish City of Dundee. Although I am originally from Dundee, I moved away when I was 18 and returned only 3 years ago. In the intervening years I was in both the Royal Navy and the British Army as a nurse. I am a passionate reader, especially of crime fiction, and had always wanted to write crime books. Two years ago I took the bull by the horns and wrote my first book, Killer’s Countdown. The book launch for this was the on 17th November 2014 at Waterstones Bookshop in Dundee.

As I say, it is an honour to be here as your blog is a great tool for writers. As a fellow crime writer, I appreciated your post on The Trials of a Crime Writer: When research becomes unhealthy. I agree that there is an inordinate amount of research that goes into writing crime books. I too do a lot of research for my books and have done several courses on Forensics. Killer’s Countdown is the first in the DI Shona McKenzie Mysteries. During this book, Shona is in Tayside Police. Whilst I was in the process of editing the book, all the Scottish Police Forces merged into one big force called Police Scotland. This organisation has been very helpful and promptly dispatched a Police Sergeant to my house to help me understand the changes. We spent a pleasant few hours drinking tea, eating biscuits and discussing the finer points of police work. He then advised me to pay absolutely no notice whatsoever to what the police actually did, in a broad sense, as this would bore the readers to an early grave. Val McDermid has also said a similar thing. So, whilst I make sure that on the whole everything is accurate, I then play fast and loose with anything I want. For example, the Scottish Police are not armed. However, DI Shona and her team are always running around the streets of Dundee carrying firearms. The local police have even tweeted about this very fact. So, whilst I agree with everything you say in your blog, my motto is never let the facts get in the way of a good story. Where fiction is concerned anyway.

Thank you once again, Joey. It has been a pleasure to come along today and meet your readers. I hope they enjoy the book. 

First Book in the DI Shona McKenzie Series
Dead Women
A Ruthless Killer
A Detective with something to prove
Newly promoted DI Shona McKenzie struggles to cope with her new job, the respect of her colleagues, and the need to solve the hardest case of her life.
Will she succeed?

My review of Killer's Countdown:

5/5 stars. Highly recommended and very much enjoyed!

This was on my TBR list for a while, but thankfully I finally found time to read it and loved it! DI Shona is faced with the enormity of having to solve one murder when another and then another keeps popping up.They all seem to be random but they also seem to be linked. Can she find that link between them and then catch up with a killer who's skilled in many different ways and almost seems to be a ghost? You'll have to read to find out. This was my first reading of a book by Wendy Jones and I am not disappointed at all. I loved the prose, and the way it was written seemed to pull you into its grip and I soon found that despite it being almost midnight, I *had* to finish this book and know exactly what motivated the killer to set out upon a life of crime. It deals with some serious issues such as child abuse, bullying and neglect, but does so in a way that makes you relate to all the characters on some level. The level of accuracy in the book is outstanding and I could picture myself following along with the investigation as a silent shadow because the story made it seem as if I were there myself.

As a debut novel, it is excellent and I will be reading the next in the series when it comes out. Wendy Jones is someone to keep a watch out for. She writes believable crime and allows you to follow the characters as if they were real. Highly recommended and I loved every page of it!

Her book can be brought on Amazon Kindle (UK - USA), as well as in paperback and other e-book sites.

If you're interested in Guest Blogging for Joey, please contact her at bugbooks@virginmedia.com or comment on this blog!

The Trials Of A Crime Writer: When Research Becomes Unhealthy

The Trials Of A Crime Writer: When Research Becomes Unhealthy

One of the things that I don't like about my job, is the research that goes hand in hand with writing fiction. Some people say that you should only write what you know, but for me that seems to limit the imagination to only what you're sure about. With the need for more writers to expand their circle of characters to be more inclusive, it seems to be that writing is always going to include things that the writer themselves have not experienced. That of course, goes double for situations I write about that include crime.

I have never actually murdered someone, though like many other people, I have thought about what would be the "perfect crime". I have read various reference books in regards to crime, punishment and forensics, but that just makes sense to me given what my chosen genre is. In fact, I'm writing this piece just after completing some work on an introduction to forensics course that I took to give me more information about the process of catching a criminal. Of course, there are many crimes that you can research by talking to people who have been through the system, such as petty theft and possibly even some drug related crimes. Other more violent crimes tend to be hard to experience through talking with the convicted perpetrators and even if it  was possible, I'm not sure I'd want to go that far for authenticity.

One thing I have learnt in my forensic course is that there is pretty much no such thing as a perfect crime. Locard's principle sticks in my mind and essentially boils down to "every contact leaves a trace". Some of these traces are not even visible to the naked eye and unless you want to start carrying around a microscope and other heavy equipment, you're not likely to realise it's there. My main issue when writing a new book, or writing about a case Tara has been called to work on, is knowing whether or not it's something that the police would have picked up. Obviously, scientific discoveries have allowed the crime scene experts to know what to look for, and in that regard the police are pretty well versed in how to run a crime scene. The whole idea of some of my books is to think up something that they may have missed (such as during some of Tara's cases) or things that the killer has thought of and produced counter measures to make sure the police are lead in the wrong direction (as is the case with a couple of my books)

However, as I've mentioned before, there are only so many things you can learn from a course or a book and it's not unheard of for crime writers to act out, as much as they can, the exact scenarios they want their characters to go through. Although it's a work of fiction, a good example would be the ways in which Richard Castle in the TV series CASTLE, tests the strength and ways to break out of a zip tie. I've done similar things myself, and for the record, those bits of research I actually do like! For me it's the going through books and websites and videos to find the information I need that drive me up the wall. It's a necessary evil, but it has to be done if you want your reader to be able to believe that it's possible that the chosen scenario happened.

Yet, there is a line, I feel, for when you have to realise that all the research (and I mean book more than practical) in the world is not going to give you the information you want and therefore, you're either going to have to change the scene and use something else or you're going to have to find some hands-on evidence that backs up your story line. Research is all well and good so long as it actually helps you move on with the story. I do believe however, that eventually you have to stop reading the books and making everything perfect (or info dumping, which is something I'll discuss another time) and allow the story to unfold on its own. There is such a thing as too much research. While it is possible that knowing exactly how a DNA sample will be processed and the sheer number of statistics on your side as to whether or not the sample is individualised enough, there is also the possibility that your book will go from being a work of fiction, to almost like an essay on how wonderfully good forensics are. If you're going to keep the reader from feeling like they are doing research, you have to allow for some imperfection. After all, knowing how it should be done, doesn't mean that it is always done that way. Some of the best "mistakes" can make the most riveting reading!

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Spoonie Writer: When Your Meds Interfere

Spoonie Writer: When Your Meds Interfere

Have you ever tried to write when you've got a large dose of painkillers in you? Or when you've just taken a sleeping tablet? Or maybe when you're in the midst of taking a nebuliser? If you have, then you know what I'm talking about, and if not, then let me explain. When you have chronic illnesses, you usually have to rely on some form of medication to keep yourself stable, out of a flare and somewhat functional. For me, that includes two of the above. I use a patch to control my pain, and use nebulisers daily to make sure I keep breathing, since my lungs seem to think it's optional. Now, if you've never had a strong pain killer, you're probably not aware that at times, it can make you feel like your brain is ten minutes behind the rest of your body. It's not the best time to do anything that requires too much thinking, but when you're on doses of strong painkillers the majority of the time, there doesn't really seem to be much of a choice. After all, writing when you're in a lot of pain isn't the best time to do it either.

Having had a chronic pain condition for the majority of my adult life, and all of my writing career, I can tell you that sometimes the meds I take to make me functional leave me feeling anything but. There are times, like right now, when my pain levels are not conducive to a good nights sleep and I find myself sat here at 1:45am with nothing else to do but write; hence why the majority of these posts are tagged with "late night musings". When you're chronically ill and want to write, you have to find ways to work around the problems you're faced with regarding your health. One of those is working around both the side effects of your medication and the actual effects of your medication. Sometimes you're never sure which one is which.

I usually employ a few tactics to make sure that what I write when I'm on painkillers, or when I've done a run of nebulisers back to back, makes sense and isn't actually the ramblings of a drug induced stupor. One of these tactics is that every blog post I make, whenever it's written, is then checked by my carer to make sure that I haven't left any sentences hanging and that I actually get across the point I'm trying to make. It's one of the reasons I have so many left ready to post, because I usually write them in bulk, to then be read through and posted at a later date. It's the one way I can be sure that I always have content for my blog, other than postings about giveaways and upcoming book releases.

Another tactic is to read it to myself out loud when I'm not feeling as bad as I was when I sat down and wrote it. This usually helps me to work out if what I've written is worth saving or if it should just be cut and forgotten about. You may be wondering why I bother to write if I'm feeling that bad; sometimes it's because I believe as a writer that you need to write something every day and that means that sometimes I have to write when I feel completely awful, and other times it's because when it's the middle of the night, there are only so many noise friendly ways to entertain yourself. It also gives me a chance to catch up on the admin parts of being an indie author that I may not have gotten to during the day when I've been banging away at the keyboard getting chapters written.

Despite this, sometimes I'll write a chapter and when I go through to edit it before it goes off to my editor, I'll find myself wondering how on earth it made it into the book in the first place. Other times, it will be my editor who'll be doing the wondering. I know that I can't be the only spoonie who finds that when they're under the influence of meds, they do, say or write something that they would never have done/said/written otherwise. So it pays to have some kind of control measures in place to make sure that your late night musings whilst desperate for sleep, or in the midst of a painkiller's side effects, never make it out there to the public. While it is pretty impossible to catch everything, you still need to be sure that you caught most things. On that note, I think it's time to sleep!

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Livin' The Indie Life Round-up for December 3rd 2014

#livintheindielife Round-up for December 3rd 2014

As an experiment yesterday I did a day in the life of an indie author on Twitter, Instagram and my Facebook. The idea was to use the tag #livintheindielife and do updates as to what I was doing. It worked quite well and I got some positive feedback. I'm hoping to do it again at some point and may even pair up with some other indie authors so we can all tweet, blog and all the rest on the same day to give our readers an idea of what it's like being an Indie Author.

Below is the roundup of each tweet, the two instagram posts and the one Facebook status I made. If you're interested in taking part in this in the future, you can as always email me at bugbooks@viginmedia.com. 

09:34 bit of an earlier start than planned, but Miss D is at school and I'm doing my morning stuff before writing #livintheindielife

10:40 had some tea, now time to catch up with @tumblr then I plan to do some #writing #livintheindielife

10:53 need to do some #research for a blog post so will be foregoing the start of #writing to get that done! #livintheindielife

11:44 still doing #research but getting ready to #write #livintheindielife #wordnerd #whyiwrite #beingawriter

12:17 I'm almost to the point where I can start #writing and doing more with my chapters. #livintheindielife

12:18 Just a reminder that I'm doing a day in the life of an indie author today on Twitter, Instagram and here. Keep an eye on the tag #livintheindielife to see how it goes!

And for an update, managed to get some research done, plan to get a blog post up soon and then go on with some review emails as well as trying to get my chapters done!

12:43 Biting down my anxiety and emailing three book blogs for reviews. I've been putting it off for too long #livintheindielife

13:13 Review emails have been sent, as well as a couple of requests for author spotlights. The work never ends! #livingtheindielife

13:14 With the admin work done though, I can now focus on #writing. I plan to finish this chapter before getting Miss D #livintheindielife
 
13:53 One chapter down and another in the works. Gonna have to take a break soon to do the school run, oh bother! #livintheindielife

14:17 laying the groundwork for Tara's first case in this book. Trying to stay out of the "zone" so I can leave soon #livintheindielife

14:25 Taking a break since I have to get Miss D soon, so looking for new books to add to my TBR list #livintheindielife #readingisgreat

15:35 Home for a bit after school run, but off out w/ Miss D for dinner in town so a break from #writing #livintheindielife

15:58 Off out to McD's for dinner w/ Miss D, after which I'll have all evening to do more #writing #livintheindielife

15:59 I want to try and finish this chapter and then tomorrow I can start bonus chapters! #livintheindielife

 

16:27 dinner out with Miss D means time away from the books but so worth it #selfie #livintheindielife #writing #whyiwrite

17:16 Just getting a blog post queued up ready and then back to #writing my chapter. Time to hit the zone #livintheindielife #amwriting

18:22 A full day of work time to relax, read and have a catch up w/ a friend #livintheindielife

Follow Joey on Facebook, Twitter or here on her blog to be kept up to date with latest news regarding her books.

The Trials Of An Indie Author: Getting Reviews & Promotions

The Trials Of An Indie Author: Getting Reviews & Promotions
 
One of the big disadvantages of being an indie author rather than being with a traditional publishing house is that the majority of the promotion you get is driven by how much work you're willing to put into things. Sure, you can pay to have someone do the majority of it for you, and I cover that in the piece about outsourcing (found here),  but if you're low on funds, or even just new to the indie author crowd, you'll have to work out how best to promote yourself before you can find people to help you.

Of course, once your book is ready to be published, you'll have something to promote, but before that point, you really don't have much to offer potential readers and you'll find that a lot of your time is spent making good connections for once your book is available (a piece can be found here). I know that when I first started out under the Bug Books label, I was completely unaware of how best to proceed to get sales. It was never a massive thing for me, I enjoy writing and I love the idea of other people enjoying my work, so while I do like it when I make sales, for the first year or so I pretty much did nothing.

A big part of promotion is getting people to review your books and you can approach this a number of ways. You can let people come across it, buy it and review if they so choose, which works up to a point, but the majority of people buying books or anything on Amazon or other sites don't tend to go back to review unless they really really loved it, or really didn't like it. Think about the last time you went out of your way and reviewed something. It doesn't happen that often. The exception, of course, is for people who review things for a job, who are pretty much paid to review things.

Now, you can join groups on Facebook that exist for the sole purpose of connecting indie authors with other authors and aid in the process of swapping books, or even just offer to review someone else's work. There are a few words of caution though. If you are ever told that they'll give you a five star review without having looked at the book or even the synopsis or sample, so long as you pay them a certain amount, run away and do not look back. It may be something that some companies do with their products, but even traditionally published authors do not usually pay for their reviews. If you want an honest review, you need to be ready to take whatever criticism you may receive. It's hard, but it's a great way to learn what your strengths and weaknesses are in your story. It's hard when you've poured your heart and soul into your work to be then told that it's not something one particular person enjoyed, but it's part of putting your book out there to be read by the general public. Besides which, one person may hate it, but another person may love it and having a wide array of reviews helps to draw in readers.

The reviews are not there to puff up your own ego, and while that may be a side effect, reviews are primarily there to help other readers decide if they want to part with their money in exchange for a good story. I know that when you're starting out and planning on carving out a name for yourself, it can be tempting to contact the reviewer to ask why they didn't like your book or why they gave it three starts instead of five, but it is never a good idea to respond to reviews, no matter how much you want to know more. There are authors, both indie and traditional, that have done so and it has not worked out well for them.

In addition to reviews, there are other ways to promote your work. I've discussed getting involved in giveaways and events (found here) but sometimes it can be as simple as joining a group whose main goal is to get everyone's name out into the writing world. You can do this through blog posts, through Facebook, Tumblr or Google+. There are always like-minded individuals who want to promote themselves, but who also have space to help you on your writing journey as well. The indie author world is full of interesting people and some of my best supporters and writing friends have come into my life through groups such as these. It's always a good idea to make connections and to have reciprocal relationships with other authors, and as long as you remember to both give and receive promotions and reviews, you'll be off to a good start.

Follow Joey on Facebook or here on her blog to be kept up to date with the latest news regarding Joey and her books.

Guest Blogger - Armen Pogharian

Hi everyone!
I'd like to welcome Armen Pogharian to my blog. He's a young adult author and his books are fantastic! Here's a little bit about him!

Unlike many authors, Armen was not an early reader.  He can honestly say he didn’t voluntarily read a book until he finished The Hobbit in sixth grade.  He earned a BS in Electrical Engineering from Rensselaer Polytechnic Institute, where he was an Honorable-Mention All-American swimmer.  As a USAF officer, he worked on ‘Area 51’ projects – he never saw a single alien (dead or alive).  He later earned an MBA from the University of North Carolina in Chapel Hill and spent more than a decade in the high tech and biotech industries. His stories mix elements of science and history with a healthy dose of fantasy.  When not writing he enjoys swimming, reading, and the outdoors.  He lives in Pittsford, NY with his wife and three children. You can find him on Facebook here or follow his blog for more information.

I've read three of his books and will include my reviews of them, but first he's written a piece on where he gets his ideas from.

As a writer, I’m often asked, where do I get ideas for my stories?  As much as I’d like to lay claim to some form of creative genius, the sad truth is mine is a rather convoluted and muddled path, which reminds me of an old television program.  Back in the 1980s, when US cable TV was still relatively young, hungry for content, and the History channel hadn’t discovered reality programming, my channel surfing helped me discover James Burke’s Connections.  It’s a wonderfully different way of looking at how seemingly unrelated events, technologies, and societal trends impact the modern world.  One episode connects the concept of credit to sending a man to the moon.  Along the way the program examines military tactics, Napoleon, canned food, and refrigeration.  Taking a page from Mr. Burke (admittedly a much smaller page), here’s my attempt at making some interesting connections to some of my own writing.

As a young child the television show Sesame Street (for those outside the states it’s a public television program famous as the original home of the Muppets) had a huge impact on me.  It debuted when I was four and quickly became my first must-see-TV show.  It taught me my ABCs, how to count to ten, and lots of other great stuff.  Besides Oscar the Grouch, who lived in the coolest garbage can, my favourite characters were Ernie and Bert.  Their banter and antics were to pre-schoolers what Laurel & Hardy or Abbott & Costello were for the previous generation of adults.  Like the great vaudeville comedic teams the simple Ernie consistently gets the best of the sceptical Bert, albeit in a very kid-friendly manner.

While the creators say it’s a mere coincidence, there’s a popular rumour that the two were named for the cab driver and policeman from the movie It’s a Wonderful Life.  Even if that’s not true, the two characters have inspired use of their names in other media.  Bert and Ernie Moon from the British show EastEnders were named after the famous Muppets, as were a pair of suspected extra-galactic neutrinos detected by the IceCube Neutrino Observatory at the South Pole.  The observatory’s location and detection mechanism may allow it to provide the first experimental proof of the extra-dimensions predicted by String Theory.

Okay, so what’s the connection?  Misaligned is a contemporary YA fantasy series that began as my attempt to answer the question:  What happens at the intersection of String Theory and the Welsh origins of Arthurian myth?  A wandering mind is often a wondering mind.

MISALIGNED: THE CELTIC CONNECTION

Eighth grader Penny Preston unknowingly creates a trans-dimensional rift, which causes a food fight. Instead of being suspended, she discovers that she exists in more than three dimensions; she is misaligned. In training, she learns that she is the key to preventing higher-dimensional beings from entering our universe with god-like powers. Together with her multi-dimensional cat, Penny struggles to save her relationship with her best friend, protect her universe, and uncover her connection to Celtic myth.

My review: 

5/5 - Highly Recommended!

Meet Penny, born with one eye a different colour from the other. She's slowly realising that she's a little different from her peers but before she can explore it fully, she's thrust into life as someone who is misaligned - that is, someone who can see other dimensions and travel between them. The only problem is, there's some power that's desperate to harness what she can do to open their own portal to another dimension. This book is downright AWESOME. I was a little unsure as to whether I'd enjoy it and I'm very pleased to say that I was completely wrong! I found myself reluctant to stop when nighttime came, saying "just one more chapter". When it ended, I was desperate to read more of Penny's adventures and so I've brought the other two in the series which I'll also be reviewing. Armen Pogharian is an excellent writer who knows how to pull you into the story, leave you hanging, desperate for more and keep you reading page after page. I expect great things from the sequels and I am completely sure that I will not be disappointed, nor will you if you give this series a read! HIGHLY recommended!

MISALIGNED: THE SILVER SCEPTER

Why is an ancient Celtic spirit plaguing Piper Falls with a rash of pranks and what's it got to do with the discovery of a mythical Seneca scepter? Learn the answers with Penny, her best friend Duncan, her cat Simon, and her two other-worldly teachers as they unravel the mystery of the Silver Scepter. 

My review:

5/5 - A Must Read

Having devoured the first book in a few days, I was desperate to read the sequel and managed it in just two days of solid reading at bedtime. Once again, all is not right in Piper Falls and it seems that there is more to the history of the known world than we thought. Penny and Duncan are both working hard to make sure that Penny's status as misaligned is not known to anyone other than the core group. When an artefact is carbon dated as over 6K years old, it seems that there's more at work than first thought. Once again Pogharian has overdone themselves with this book. It's fast paced and I drank it up as if it were my life blood. A cast of new characters fill in the gaps between the lessons from Penny's trainer and Master Poe, and Penny herself finds that she's learning more and more about what being misaligned actually means and what she can do with it. I loved the first book and I adored the sequel. My hope is to move onto the third (and last book so far) today and finish it asap. My only problem is that that will mean I have to wait for Armen to write more, and I have never been that patient when it comes to a series of books that are as gripping as these. Recommended to all those who love mystery without crime and dead bodies, and love the paranormal as well as learning something new about Welsh and Celtic folklore. An excellent read from start to finish and I highly recommend this series to readers young and old!

MISALIGNED: THE DARKEST DAY

Something is attacking the structure of the multiverse and releasing higher-dimensional energy into Piper Falls, NY. The increased power emboldens the reenergized Bodach to wreak havoc on the small town. It also draws more terrifying entities to the town, including a former Bodach commander seeking to avenge her defeat at the hands of King Arthur, a mysterious shape-shifter known as the Newiddyn, and a destructive Celtic spirit. Penny and her allies must defeat the Bodach, restore the integrity of the dimensional fabrics and prevent the new entities from unleashing the apocalypse of The Darkest Day.

My review:

5/5 - Everyone should read this!

I found myself looking for extra time to read so that I could finish this book. It's the third in the Misaligned series and I feel saddened that now I have to wait for the next one (if there is one) to be written as I have found myself falling in love with this series. It is so excellently written and the past and present are intertwined whilst still remaining believable. Once again Armen Pogharian has written a nail-biting book where you find yourself going back and forth in time to discover the answers to the present day problem. The characters are lovingly crafted with just the right amount of reality intertwined in the fictional world of Piper Falls. I am happy to call myself a fan of this series and can recommend it to those young and old alike. If you have an interest in early Welsh and Celtic history, then this is the series for you! Highly recommended and I will be counting down the days to the next book!

If you are interested in doing a guest blog with Joey, you can contact her on this email: bugbooks@virginmedia.com

The Trials Of A Crime Writer: Has This Been Done Before?

The Trials Of A Crime Writer: Has This Been Done Before?

Every writer, no matter whether they are published or not, is looking for the original idea. The one thing that hasn't been done before. A lot of the books I've read on the subject say that there simply aren't any original ideas anymore. They've all been used in one way or another, and that you just have to look at how to turn your unoriginal plot into something with a twist. I don't necessarily agree that there are no more original ideas, after all, history has changed the way things in the world work, and with all that history, there has to have been new things happening. The other bit that bugs me is that every single person is different, is unique and therefore the majority of us don't all act the same when placed in the exact same circumstances. I think that means that there are plenty of ways to turn a previously used plot into something original, or to think up something completely off the wall that hasn't been done before.

Of course though, this is more about my trials as a crime writer, and therefore what I'm mostly talking about is the central plot or theme that runs through each crime novel. When you're thinking up ways for people to break the law, the motives can be as unique as you want, but sometimes the crimes tend to repeat themselves. It's a fact of life that people kill each other in many different ways, but also that most police officers don't deal with serial killers, nor do they deal with unique crimes every single day. The motive may be something they haven't heard before, but the crime itself is usually the same no matter how different you try to make it.

Having said that, it doesn't stop me from trying to make sure that the motives behind each central crime - whether they be a serial rapist, murderer or petty thief - all have their own unique twist on them. Sometimes you can't do that because there are rarely convoluted reasons for why someone stole drugs from a drug dealer and then got murdered for it. As a crime writer, you have to be aware that by not repeating the crimes, by trying to make them all different and unique, you've already started to stretch the boundaries of what is and isn't believable. So while it's a good idea to not have every victim act, respond and/or die in the same way, there are patterns to crime and if you want your book to hold a reader's interest, you have to be sure that you follow some of the laws of the world.

Yet when I sit and write my chapter notes before I start a book, or read through what I think makes a good crime to talk about, I still try to make each case somewhat different. It's a difficult trap to avoid, but at the same time it's something you have to be flexible with. Outside of the pages of crime novels and the Hollywood movies, you have to realise that the majority of police officers will never really deal with a serial killer. They make for good fiction, but are not as common as fiction and the media would love to make out. That said, they are a great way to tell a story and have the characters work towards a common goal. After all, fiction is a way for the unimaginable to happen and although there are unimaginable things done to people by others, sometimes it's nice to believe that the only horrible crimes happen between the pages of books, where you can see that justice prevails and all ends well (hopefully!)

Usually I deal with multiple cases when writing a DYING THOUGHTS book, with Tara helping the police, and there needs to be some level of difficulty in the cases she's called in on. Otherwise it gets to the point where I, and the reader will be asking if her gift is really needed or if the police are just lazy. The joy of fiction is that there is some level of being able to suspend belief. The aim is to not push it so far that it snaps in two. So, as I sit here at 1am, writing a piece about believable and unique crimes, I find myself wondering if it is possible to achieve both those without breaking the believability of the scenes. To be honest, I'm not really sure, but that doesn't mean that I won't continue to try!

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Spoonie Writer: Worrying About Deadlines

 

Spoonie Writer: Worrying About Deadlines.

One of the first things I realised after being published, was that I was going to have to do some serious thinking about how I'd handle the stress related to deadlines. It was one of the reasons I ultimatey chose to go with Indie publishing. It allowed me to control when I had a deadline, and it also allowed me to work around anything that popped up health or life-wise that would stop me meeting that deadline. I did a piece about schedules and deadlines, (found here) and in it I talked about how I set my own deadlines - such as the four chapters I do each fortnight, which make up a big part of my writing work.

As a spoonie though, you'll be very aware that stress is bad, and you'll also be aware that your health and ability to do things such as write are unreliable. Sometimes you'll be able to meet your deadlines (self set or not) and other times you'll have to miss them. The trick as an indie author, and as a spoonie, is to allow your deadlines to be as flexible as they can be without them becoming completely meaningless. By now, you'll have read a number of pieces about my life as a spoonie writer, and you'll be aware of the term "pacing". My advice for this piece is similar, so much so that it's become one of my life's mantras.

Stress is bad for anyone in large enough doses. For some people, their everyday stress level is higher and for others it's lower. What you personally can deal with depends on you alone and as a spoonie you will be very aware of knowing your own body and how it reacts to certain triggers, stress being one of them. I know that in all my time being chronically ill - and I mean back towards the time when I just had Brittle Asthma - I have been inherently aware that I do not do stress well, like at all. If I put myself under too much pressure, my lungs goes splat, I wheeze, get chest pains and feel dreadful. Add to that two newer conditions (Fibro and M.E) that also don't go well with stress and you can imagine the trembling ball that is me on the floor in the throes of both an asthma attack, a pain flare and an M.E relapse. Stress for me is not good, and it doesn't even have to be in large doses.

So, when I decided to go down the Indie author route, I was very glad to know that I'd have more control over when I published which book and what chapters were due whenever. As I've been writing for near enough thirteen years, I've learnt that I don't have the ability to deal with pressure mounting from missed deadlines. It's one of the reasons I took my uni courses the way I did, I liked being able to get ahead and then not have to worry if I needed time off. I am the same with writing. By the time this piece is published on my blog, my seventh book will have been released and meanwhile, I recently finished my twelfth book and started writing my thirteenth and fourteenth. I still only plan to release one book a year, unless circumstances change. By doing all of this it means that in a way, I am ahead with my book writing already. It allows me to leave a book to sit for a while after being written before I go back, with fresh eyes and start the editing after process.

Now, that won't work for everyone, and it's not always the best way to do things, but it's what works for me. I know that when I set up my fortnightly to-do list and I add those four chapters, I also add four bonus ones just in case. Sometimes I manage them and other times I don't manage any. It really is all dependant on how my health is and how I'm doing both physically and mentally. Some fortnights I even manage to go further and do more chapters than expected on both the to-do list AND the bonus one! It really does depend on how I'm doing.

Pacing myself has always been a big thing for me since I fell sick with the Fibro and M.E. I was always someone who was organised and I liked things done in a certain way. I'm the same now, but I have learnt to be more flexible. While I would love to be able to write all day, all night, and then all day again, it's just not something I can do (though not many people can!) I need a certain level of sleep and rest breaks. If I push myself too far one day, I pay for it the next and that is not conducive to a schedule or deadline of any kind. So, I try to pace myself, and if you can find something that works for you, then try to keep yourself into some kind of schedule or routine. After all, you are the only one who knows how it feels to be you and the best one to know what your body needs. It may take time away from actual work, but it will also possibly take away time you would have spent in a flare or relapse. You know you best, and you have to work with that!

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