Monday, 6 July 2026

Dealing With Multiple Ideas

DEALING WITH MULTIPLE IDEAS

I have, throughout my writing life, always been juggling ideas. Whether that's ideas that have nothing but a small puzzle piece, or ideas that are already pretty fleshed out, or ideas for scenes later in a draft, or ideas for things to take into account when it comes to revision or editing. Before the sepsis in Oct 2025, I was juggling multiple revision projects with one just about to be sent off for edits. Having had to take eight months off, I knew when I came back that I would, at best, only be able to manage two projects, and even then, I still don't know if that will work long term. 

Ideas, for writers, are something that come with the territory. I would, to be honest, worry about my chosen career if I wasn't constantly having to deal with all the ideas. Right now my focus are two revision projects because while in recovery mode I had some sparks of ideas for one that should, hopefully, answer some of my lingering questions, and do the same for readers as well. It makes me happy to be going back into those projects and knowing I am making them better.

However, some of the ideas are coming for new drafting projects, and while, originally, the plan was to start drafting those in April, my body had other ideas, and my life took a sudden turn. But I have found many ways to help myself when it comes to dealing with all the ideas, because as a lot of people know, sometimes you think: I'll remember that, and your memory laughs at you as it deletes all traces!

So how have I managed to keep hold of them all? Being the organised person I am, I have a variety of ways to track, sort, and work out how to make sure none get lost along the way!

#1 WRITE THEM DOWN

It doesn't have to be pen and paper, which hasn't been a viable option for me for a while, and definitely isn't now! I have a notes app on both my phone and iPad, and I will write it all down there in a brand new note. If it's gotten to the point where it's fleshed out completely, it gets moved, but up until that point, it's there on its own, and I can expand and add to it as and when new pieces of the puzzle come to me.

#2 COMBINE WHEN READY

This is what I do when the idea has graduated. Like the initial idea is a seed, and now the flower it blooming. That's when I will move all the notes into another note on my iPad which is basically filled with story ideas that are far enough along for me to think about starting to write them. Sometimes, I'll go back and look at how it's going, and move things around to see if that adds more. This point is the closest it can be to being drafted.

#3 ARRANGE IN ORDER

This part is basically me deciding order of importance, or just which ideas I am more excited about writing next. The order can, and does change, but it's usually only because something newer has moved into this space and I want to write that more.

Basically after this, when I get ready to start drafting, I take the top two and do my minimal outline and jump in! When it comes to ideas for revision projects, while, for some reason they stay remembered, I have a separate note for those and keep an eye on them.

Overall, ideas are plentiful when you're a writer, and how you deal with them is up to you, but whatever way that turns out to be, have fun, enjoy, and keep writing!  

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Monday, 29 June 2026

Finding Your Voice - The Creative Process

FINDING YOUR VOICE

Something that can be hard when you're writing a new project is finding where your voice is. It can be pretty common to not recognise either your authorial voice, or the voice of each project. These two can be the same, and they can also be different, depending on the genre, the age category, and the way the story is told, like first person compared to third. 

When I was first writing, I felt like the story I was crafting had a pretty unique voice to it. Some of that is newbie ego, and some of that is not having the experience to really know what all these things meant. That's not a bad thing, but I thought that today I was talk more about both kinds of voice, and also that it's completely okay if it takes you a while to spot and know yours.

I have drafted nearly fifty books. They are all young adult, and have all been a range of genres from thriller to mystery to paranormal to dystopian and urban fantasy. I usually, write solely in first person, and they are usually all told from one POV, though I do have some that are dual POV and such. I have published twenty-four books, with my next two, hopefully, coming out next year. I tell you this to give you an idea of where I'm coming from. I am, by no means, an expert, but I do have some solid experience to pull from, I was first published in 2005, and have been continuing with publishing since.

So let's focus on the first, the author voice. What do I mean when I say that? What are people looking for when they talk about wanting an author who's 'voicy'? How can you know, and work out, what that means for you?

AUTHOR VOICE


An author voice is quite simply, their way of telling a story that is so unique to them that you could pick up a random book, have no idea who the author is, and be able to tell from the prose, the descriptions, the way the characters sound, who the author is. It can be something writers have naturally, and it can also be something that develops over time. The more you write, the more you discover it.

As for what people are looking for, while this usually is something I see attributed to literary agents and publishers, and I have no experience with either, I'm going to focus more on the readers who talk about wanting this. A lot of the time what they want is a voice or story that is told similarly to one particular author they love. They're looking for recs of books that might meet their needs. Sometimes it's not always about the author's voice, but the characters, but it's a way to find new to them authors who they might enjoy.

A lot of the time, finding your author voice comes with practice. My debut was not the first book I'd written, but it was the first one I felt really had my voice to it. Now, granted I wrote it when I was 19, and it was published when I was 23, and while aspects of my author voice remain the same, others have changed as I've grown as an author. If you are someone who is just starting out, I would not stress on finding your voice in your words. It might take time, it did for me, and that's okay. Write your stories, enjoy yourself, and just lean into growing and changing.

CHARACTER VOICE


The character voice has a similar description as the author one, in that you could work out who these characters written by blindfolded simply because of the way they talk and go through the story. The difference is that it's not the same voice for every single character. If that happens, there's problems. But for me, usually, the character voice comes into play with the main character. Again, just to be clear, I do not mean that every main character I've written is exactly the same. That would not be good!

Character voice to me is more subjective, and leans more into the reader experience. Some readers will see it straight away, and others won't, and neither of them really are wrong there. I do feel like it's somewhat easier to lean into character voice than author voice, but that, of course, is subjective to each author!

So there we go, while I do think author voice is something that can take a while to develop, it doesn't mean you are bad at writing, or that your work is not worthy of publication. Everyone moves to their own pace, and that is completely okay! 

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Monday, 22 June 2026

Presenting Your Author Side

PRESENTING YOUR AUTHOR SIDE

I set this blog post to be written last year, when I was in my 20th year as an author. So much has changed since then, but I am happy to be here, writing a blog post that has waited so long to be written out. For those who don't know, I'm chronically ill and disabled, and in October 2025, my body tried to kill me. I had sepsis, in ICU, coma for seven days and then more on a regular ward. I have a few parting gifts from the sepsis, the biggest being partial paralysis in my right hand and arm, which is, or was, my dominant side. I've been off work since then, and because of my organisation, I had three posts I'd already written ready to go, and you'll have seen them finally posted at the start of June 2026. This is the first blog post I have written after recovery.

But I'm getting off topic, and not at the same time. I have always been a disabled author, and have never been shy about people knowing that. I have, just like everyone else in either the author sphere, or just a person in general, the ability to draw a line between what parts of my life are talked about publicly, and which I choose to not share. As an author who was first published before social media was either a thing, or as big as it is now, it feels like I was lucky enough to grow into who I wanted to be seen as by readers, and what I wanted to just not share.

Obviously that is a very personal choice. I would never sit here and tell anyone that they can't make their own decisions about things like this, but in my mind, there should be some idea out there of how that information will be received and used. Now I wanna be clear that I do not speak from any other place than my own experience, and from what I've seen, and heard about from other disabled writers. From a minority perspective, I can't speak on matters of race, and while being bi, I don't feel like I have enough lived experience when it comes to that either, but I have seen it online too. So I'm gonna focus solely on disability.

#1 YOU DO NOT HAVE TO DISCLOSE ANYTHING
While it's true that there is nothing wrong with talking about your disabilities, there is also no rule that states you have to. If you don't feel safe doing so, that's completely okay and valid. While the opposite is also true, if you want to talk about your disabilities, and the impact they have on your writing and author life, you are still allowed to not share everything. I have been quite open about my disabilities both online, and with my author life content. I do it because that's what I want, and feel comfortable doing. But you don't owe anyone your medical history. It is, and should always be, your personal choice, no matter where you are in your author journey.

#2 YOU DO NOT OWE ANYONE POSITIVITY
Toxic positivity is something that is rampant around ALL online spaces, for ALL groups, but you will usually see it highlighted especially in minority groups, and especially within the disability and chronically ill sphere. Now, the majority of the time in this group, it's coming from those observing from outside of the group itself. They want to see everyone stay positive despite what they're going through as if somehow that is going to cure or help. I'll cover those more in a moment. But as a disabled author, you do not have to always be positive about anything in your life, even if that's about the things going on disability wise. Having a bad day or period of your life, that's normal, and I feel like being real with readers, and other authors, allows people to really see that we are human, and doing what we can to survive and thrive in our work, and in our lives. That's not a bad thing.

#3 YOU DON'T HAVE TO BE AN INSPIRATION
Like I said above, some people want to view disabled people, author not, as an inspiration, because, look at them, managing to string words together and make a whole book! This is so freaking dismissive and I hate every part of it. But there's a second part to this too which I feel like isn't talked about enough. We're not supposed to write fiction. we're supposed to write books which detail every medical visit, every symptom, and how hard and depressing our lives were/are, and if we don't do that, we get looks that kinda imply that the only thing non disabled people want to read from us is about our personal disability experience. We have nothing else worthy of publishing, and how wrong that is!

So while I have made it through enough recovery to be allowed back at work, I am also very aware that the way I worked before is not going to be the way I will, probably, ever work again. Disability is always changing, and when you are in those trenches, you have to roll with it and keep going.  

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Monday, 15 June 2026

Finding Your Pace - The Creative Process

FINDING YOUR PACE

I've been writing for many many years. I think if I did the maths it would work out to be more of my life than I spent not writing. I recently celebrated twenty years as an author, which still blows my mind to be honest. In all that time I have found many different ways to write, and many different routines to follow. I've been doing my current routine for about five years now and it works for me. I know what I need to get done every day and I also find that it's easier to sit down and work.

People know that I'm organised, so I won't sit here and tell you otherwise, or go on about it too much, but my point is that even organised people have to start with a lot of trial and error. I dove into writing seriously at nineteen, and while there are some aspects of my writing routine that have stayed the same (my planning levels, writing a chapter a day, etc), others have changed many times over the years (time of day to write, how I write, working on multiple projects etc).

The big thing for a lot of newbies, and even those who've been doing this a while is that life has a way of getting in your way. I know that I will wake up between 1-3am and be ready to work. I know that I will sit with my tablet/computer, and do the work, but I don't know if my conditions will allow me to do the work scheduled. They sometimes do, they sometimes don't. 

My point is that finding your pace is something that takes time, effort, and a whole lot of trusting your gut, as well as reading pieces like this and trying to work out how to apply it to your own life. Back in 2001 when I started writing I didn't have things like social media, or blogs (yes I realise I sound like an old person with my 'we walked to school barefoot uphill both ways' but I promise I have a point), so a lot of my finding out was just sitting at my desk and trying this and that, and hoping that something along the way worked for me.

I will say that when social media and everything else finally came along, it gave me some of that knowledge that every writer struggles with this kind of thing. It wasn't that I was inept or doing things wrong, just that being creative is overly personal and linked to the person, as well as the stage they are in life. I say that last part because over the years, with things changing here and there, like college and uni, and having a kidlet to parent, my writing routine and my pace rapidly switched from my tried and true method to something else and I'd be left scrambling as I tried to find out what the new way was.

So don't be alarmed if it does take you time to get there. It's not just you, it's part and parcel of being creative. No one works exactly the same way as anyone else, we all have our quirks and our ways of doing things, and that's normal. If it takes you a while, that's okay too. You will get there, and all this trial and error you're going through is going to help you narrow things down the next time life changes on you.

So keep going, and good luck!

Any questions? Lemme know in the comments! 

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Monday, 8 June 2026

The Trials Of A Crime Writer: Balancing The Light & Dark

THE TRIALS OF A CRIME WRITER: BALANCING THE LIGHT & DARK

I've always been someone who is more attracted to some dark aspects of fiction. While there are whole romance genres that deal with that side of things, for me it's more about the crime element. As in I prefer to read dark, girtty crime and mystery. I also love to read the cozy kind too, but I digress. As a writer, I've never shied away from the dark aspects of some of the stories I tell. From murder scenes to death visions, to battles and war, and all of that wrapped up in some parts of the world that are just not light hearted.

But I've always also been someone who likes to have some elements of the light in there too. Like I said, I like both dark crime, but also the light kind too. I want to be able to give my readers the best of both worlds, with some things that are dark and disturbing, and others that are sweet and light. It can be hard to strike the right kind of balance between the two because they can be seen to cancel each other out. On top of which, if you hit the notes right with one, the other might be to jarring to the reader, and that's why it's so important that you find that balance, and make sure it's reflected in your stories.

So here are some of my tips about how to keep that balance just right, with the caveat that for some readers will want more of one than the other, and you cannot ever please everyone, so keep that in mind!

#1 NAVIGATING THE PEAKS AND LOWS
I'm sure you've all seen that one plot outline that looks like a graph, it has highs, it has lows, and when you're trying to work out where your story should be, it can be really useful. The same applies to dark and light. If you call the dark the lows, and the light the peaks, then you need to make sure that they complement each other. For example, if you've had a very dark section, right down in the lows of the graph, then it might be a way to give your characters, and the reader, a break with a small peak. 

By this I don't mean shoot it right up to the top of the graph because that is going to be super jarring, but just enough that there's that tension release, and gives everyone a chance to breathe before going back into the rest of the story. I've done this in a lot of my dark books, one that springs to mind is the Lights Out trilogy where you're dealing with a dystopian hellscape and Lock, the main character, is dealing with a lot of darkness. I've sprinkled in some lightness to help break that tension, and allow Lock to see that things will get better. You can do this however you please, but just remember to keep them complementing each other.

#2 DON'T EVER GO TOO DARK/LIGHT
If your story is one that deals with the dark side of humanity, then make sure you have some idea of how dark you want this to get. The same applies to the lightness in a book with both. You don't want to, going back to that graph I mentioned, have a really really raw and deep low that seems out of place, and you don't want a peak of light that kinda makes the reader think: what the heck is this?

Obviously you know your story and characters best, but it's something to keep in mind, because if you cross this line, you might end up losing some of your readers for it. If they signed up for a dark gritty crime and you're also giving them such big peaks that it's kinda jarring, it's not gonna be the experience they were looking for.

Overall, just remember that when using both, and you will, to some degree, need both, you have to keep them on the same level, and make sure they mesh and blend together well, otherwise your graph is going to look like someone running a marathon.

However you go about it, good luck!

Any questions? Lemme know in the comments! 

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Monday, 1 June 2026

The Trials Of An Indie Author: Writing For You

THE TRIALS OF AN INDIE AUTHOR: WRITING FOR YOU

I've heard the phrase that you should write the book you want to read, and I agree with it, mostly. I've been writing since I was 19, and at 44, I am still finding books to write that I wanted or needed when I was a teenager and trying to find my way in the world. Of course everyone writes for different reasons and a lot of the time, it can be both personal and also just because you know there's a market for that kind of story.

Having said that, as a chronically ill and disabled woman, I found that a lot of the stories that I wanted to tell were ones that, at the start of my career, I couldn't see myself managing to pull off. It was really only once I got older, and started to realise that I could manage to do this that I delved head first into writing disabled characters, telling stories of fantasy and dystopian and even just plain old contemporary and mystery. I wanted to put those characters out into the world and I wanted readers who had been like me as a teen to find themselves in my fiction. 

Every writer has different ideas of the stories they should tell. Every writer will write the same story differently, and because of that when it comes to working out what stories you want to tell, you have to kind of look deep, and also really think about it. There will be times when you lean more one way than the other, as in, if you're a writer like me who switches genres, you'll do heavy on one before moving and changing to another. If you're always in the same genre, the style of stories might change, the sub-genre might switch. All of that is normal, and it's just about finding that sweet spot, that place where you've found your genre for the moment, and leaning into it and writing all the stories you want.

For example, when I first really worked on a story that I wanted to publish, it was a YA thriller that I'd been brewing in my head for a time. It became my focus and my drive, but the next story I really got lost in after that was paranormal/mystery. I think the reason that I switch genres, while sticking to a myriad of them, is because as a reader, I will read pretty much anything. There are a few genres that generally don't appeal to me, but usually if I like the blurb, then I'll pick it up and give it a go. Sometimes I fall in love with a new genre, and sometimes I don't jive with it. But it's reflected in my writing because I know that there are other people like me out there, teens and older, who also jump around genres and just want to read good stories.

So when it comes to writing for myself, or even my younger self, I'm writing crime, I'm writing dystopian, I'm giving urban fantasy a go, I've got the paranormal in there too. It's all about me both exploring things as a writer, but also allowing that imagination that got me in loads of trouble as a teen, to grow and bloom and become something bigger, become stories that other people can read, fall in love with, and maybe one day move on to writing their own. 

Some writers will focused on one genre because that, for them, is the stories they want to read, and it's a good thing for them to explore those same kinds of stories that maybe they also adore, and want to pass onto the next generation. After all, even when we, as authors, are no longer here, our books can still remain, our stories can still be here to show the kind of writers we were and our legacy of stories. I think that's a really cool thing, especially as someone who has a future that is limited.

So no matter what genres or stories appeal to you, write for yourself yes, but also remember that these stories have a greater reach than we ever could. I always leave part of myself in my work and I know a lot of writers and authors who do the same. Writing for yourself is powerful, and so is making sure those stories, the ones you needed to tell, have outlasted you. Who knows where that may lead in the future?

Whatever genre, whatever stories, keep writing, because the world needs your stories. 

Any questions? Lemme know in the comments! 

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