Time Periods - The Creative Process

Time Periods

You've got the plot sorted, you know you know what genre you'll be putting your story into. You've even chosen a location. Now you just have to decide what time period this story will happen in. I'm talking about what time period. The past? Present? Future? Are you going to be delving into areas that you can find information about easily? Are you going to be making it up as you go along? I don't need to tell you that research is key to things like this. If you're choosing a time period that has already happened, you'll need to be sure that you don't have them discovering DNA or using facial recognition or even cameras in colour before they have been invented. You don't want to have star-crossed lovers flying over countries in planes while mankind is pretty much stuck on the ground. So, you need to make the decision about where you're going to set your story, but also when it's going to happen.

I know that the easy idea is to set it in present day, but that comes with it's own difficulties which I'll discuss another time. I'll focus on the past and future parts of when for now. I have written a story set in present day that involves some time travel to the not so distance past - well one hundred years in the past, so not too close to the time it's set in. I learnt pretty early on that while I love reading about history and stuff like that, you have to research well and think long and hard before you just start saying stuff.

The story in question was a crime and mystery novel. It involved dealing with solving a crime in 1910. Not an easy task, even when the person solving the crime was in the future and therefore had access to present day crime solving techniques. The problem was that to solve the crime and make sure the right person paid for that crime, she had to use old school methods and I mean *really* old school. It was all well and good her solving the crime with twenty-first century DNA and fingerprints, but in 1910, fingerprinting was in it's infancy and DNA? Not even an option. The first forensic crime lab opened in France around that time and it wasn't something that the local police would be able to, or want to ship over for their help. It wasn't a national scale case by any means. So, I had to be careful and look at other ways for them to solve that particular crime.

So that's the past, lots of research and being sure about dates, depending on what is actually happening in the past. It's one of the reasons that a lot of people stick to writing an area that they have experience in, or at least a good amount of knowledge or contacts that can't always be found with Google or Wikipedia. But what about the future?

Well, that comes with a little more creative license. You can make up your own facts about the future, depending on how far into it you go. If you decide to set it only a decade or so from now, you'll need to have some kind of explanation for why we're all living on Mars, but the further forward you go, the more slack you have in what you say. Again, some research will need to be done, but because the future is pretty much unknown, you can say what you like. Like I said, there does need to be some explanation or at least clarification as to why things are the way they are, but that's true of pretty much anything set past what we can predict.

It's something that needs to be researched and depending on which direction you choose to take your characters in, that will dictate how much knowledge you need to have of the time period. I discovered that because of the time I chose, I would need to acknowledge that a king had just died and the next in line would be having a coronation shortly. So, plan and research, but other than that, step into the time machine and go where you please!

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DYING THOUGHTS - THIRD WISH out NOW!

The release of DYING THOUGHTS - THIRD WISH went as planned and it is now LIVE on Amazon UK, USA, Canada, Japan, Brazil, India, France, Germany, Spain & Italy. You can grab a copy from the UK store at the above link!

Anyone wishing to do a review of any of Joey's books, feel free to contact us on bugbooks@virginmedia.com for details!

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50% OFF SALE!

To celebrate the release of DYING THOUGHTS - THIRD WISH on JULY 8TH 2013. We are running a 50% OFF sale at Smashwords. The first two DYING THOUGHTS books will be 50% for until JULY 22ND 2013. Be sure to grab your copy now and catch up on the series before book three is released on Monday.

DYING THOUGHTS - FIRST TOUCH is now $1.50 with the coupon code YY96D.

DYING THOUGHTS - SECOND SIGHT is now $1.50 with the coupon code: VN33F

Both books are available in all e-book formats from Smashwords, while the third will be released exclusively on Amazon Kindle. The coupon is ONLY valid when the books are purchased through Smashwords directly.

Location, Location, Location - The Creative Process

Location, Location, Location.

You've got your plot. You have your characters. You know what you want to happen and you're sitting by the keyboard and ready to write your opening sentence and paragraph. Except there's one little detail you've forgotten. Where on earth is this story set? There's also the question of when, but that's for another piece that I already have planned.

You know how they always say "Location, location, location"? The same is true for your story. Some writers will stick to their home town or a place that they are extremely familiar with. Others will set it in a made up place, between town x and city y. They draw maps and arrange everything so that they can talk about locations that exist in their world and what streets they're on and all of that. Others will scope out a place, visit it and take a huge chunk of photos so that they can refer back to them at a later stage. I'm sure there are other ways that I am not thinking of, but you get the picture.

As an avid reader, I've read many versions of how to solve the problem of location. As a writer, I use a few different techniques. I have written a book where it's set in my home town - it was linked to the history of the place and so had to be set there. I have also made up towns in my head, never really saying where they are in the grand scheme of things. Other times I have stuck a pin in a map and done research, like looking at Google Maps, to get a general idea of the area. I find that unless I have named a town, I see no need in laying out which road leads to where and what they're called.

Usually, I will use the same town that I have for books like BLACKOUT, the DYING THOUGHTS series and even LYNNE & HOPE. Although I do mention roads and motorways and other places in LYNNE & HOPE, the home town is the same in all three. It's completely fictional and although I have an idea of what it looks like and the way it's set in my head, I don't feel the need to include all of that in the books unless it's relevant, which is rarely is.

It really is a choice of what works for you. Do you feel like your home town is a place where you can set this story? Are you writing for adults, children or teens? The audience will determine how much you need to tell them about the place. Are they travelling by car? Bus? Foot? Donkey? Again, that will determine what you need to include. As always it is a balancing act between giving the reader enough information that they build a picture in their head and not giving too much so that it becomes annoying and unneeded.

I know that when I read, and come across books that detail the route they took in the car, including names and markers, I don't always feel that it is needed. I'm not criticising because everyone likes different things and that's the joys of being a writer, creating something different each time. I guess what I am trying to say is that while location is important, and needing to know your surroundings somewhat is also important, I don't think it's something that you need to describe down to the colour of the road signs. If it's needed for the plot, that's fine, but there is a fine line that you need to learn about so that you know when you can and can not cross it.

As always, your mileage may vary.Have fun choosing your location!

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Choosing A Genre - The Creative Process

Choosing a genre

When you start with an idea for a story, you will not always be thinking about what genre it belongs to. Your main concern is going to be getting the idea onto paper and starting to write the story itself. However, eventually you are going to have to put your story into a genre before you can finish the story and way before you decide to publish it - be it the traditional route or through a self publishing platform. People who will read your book will want to know what its about and what genre it belongs with.

So, how do you go about choosing a genre? Personally, I like to write what I know, but you may not. As long as you are willing and able to do the research required then it doesn't matter which genre you choose to settle into and call your own. 

Some writers will write in genres they themselves love to read. Others will find their talent lies in writing a genre they would never read themselves. From my own personal writing experience I can say that although THE DYING THOUGHTS series can be classed as supernatural as well as in the crime and mystery genre, I personally do not read supernatural books. I prefer crime, mystery and some romance. I can say that a lot of my books have a supernatural or sci-fi tone to them, but a lot of the time it is not done purposefully, it just creeps into my writing.

So, you've chosen your genre. You've done your research and you're ready to declare that you're only going to write in one genre from now on. That's great, I'm glad you've found a topic you are passionate about and have found an area you can create in and do brilliantly. However, before you class yourself as a romance writer, or someone who writes about alternative realities, or a mystery writer who only caters to fifty five year old women with blonde hair, just remember that writing styles, genres and plots do not stay static. They can change into something different in a heartbeat. You can plan and research and micromanage every word, but sometimes the story takes you where it takes you and there is little you can do about it. It's great if you have an idea of where the story will go and how to get there, but remember that when inspiration strikes, it doesn't always hit the planned target.

As long as you are willing to go along with the story as you write, go along for the ride as it were, then you can't go wrong! Enjoy writing and exploring your worlds.

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COVER REVEAL for DYING THOUGHTS - THIRD WISH

COVER REVEAL

I am pleased to say that I now have the new front cover for DYING THOUGHTS - THIRD WISH and can give you all a sneak preview before it's release on JULY 8TH 2013. The plan is for my graphic artist to redo all the covers from already released books so be sure to keep an eye out for those!

And without further ado, here is the new and final cover for DYING THOUGHTS - THIRD WISH!

 

I hope you all like it as much as I do :D

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You Always Remember Your First - The Creative Process

You Always Remember Your First

We all have to start somewhere. Many writers will tell you that their first story is one that they worked hard at to make it into the final product. That's true for all works really, it takes a lot of work to get it to what you want it to be. However, your first book, that first story that made you dip your toe into the writing pool, it's not something you easily forget. For me, that was THE FRIENDSHIP TRIANGLE. I started writing the story when I was thirteen, and then spent the next nine years or so pulling it apart and making it into what it is today. In the beginning of my writing career, I was immature and unaware of the massive mistakes I was making.

My first characters - Chloe, Sarah & Charlotte - guided me through the minefield of book writing and helped me come to a point where they would tell their story effectively. I remember being sat on my bed, with the original story notes, crossing out and writing whole new pieces and paragraphs, keeping some bits and throwing out others. It took me a long time to get them all right. I wanted thirteen year olds who would be able to help other people in similar situations. With Chloe, it was dealing with the death of her father. Sarah had an alcoholic mother and gambling father. Charlotte had just found out her dad wasn't her biological father. They all  helped to guide me and began the process that made me into the writer I am today. I do wonder sometimes how my characters would be if they could age outside their story. In the book, the girls are thirteen, facing major issues and only really being able to rely on each other for support. I wanted a story that would show how special friendship can be to tweens and how it can also be the rock in our lives that gets us through to adulthood.

I know that my own experience is pretty rare - I'm still friends with my best friend from school and we've known each other for about nineteen years now - which is terrifying and makes me feel *very* old! However, as a teenager with her own versions of upset and drama, I lent on my close friends and I know that I am not alone in doing that. What I wanted to do with THE FREINDSHIP TRIANGLE was add a little bit of magic to the lives of tweens. The majority of my work is focused on the age group of 13+, but that first book was aimed at people of the age I was when I wrote it. However, now that I'm older and have written more and, some would say, better books, I can see that my first is probably more aimed at those under 13.

As most writers will tell you, your first book holds a special place in your heart. I wrote other stories before being published and when BLACKOUT was finished, and picked up by AuthorHouse, people always assumed that it was my first, but I kept THE FRIENDSHIP TRIANGLE to one side. I planned to release it at some point, but I wasn't sure at the time whether it was well and truly finished. Some would say that it is not my best work, others would disagree. I personally feel that it is finished. It was a huge chunk of my life: nine years from start to finish and about two hundred edits later, it's done. (I may only be slightly exaggerating with two hundred, it was closer to twelve!) As mentioned in other pieces, there comes a time when you have to tell yourself that it's finished, it's over and that by taking apart and adding more and more, you are losing what you wanted in the first place. I got to that point with THE FRIENDSHIP TRIANGLE.

So, although reminiscing is fun, and you never do quite forget your first completed works, there is a point when you have to put it to bed, close the edit box and just allow the story to stand on it's own two feet. It will either crash, or it will fly and as the creator, you have to be prepared for both. If you're not ready to hear the bad critics, you're also not ready to hear the good ones either.

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Writing Characters - Chloe, Sarah & Charlotte

Writing Characters - Chloe, Sarah & Charlotte.

When writing characters, you always put a bit of yourself into them. Whether you mean to or not, even if it is only noticeable to you, the writer, there is always a little piece of you in your characters. I feel that this is that much more true with the characters from THE FRIENDSHIP TRIANGLE.

CHLOE

Chloe was my first character. She was the one I started the book with and although the book tells the story of all three girls, my focus was on Chloe. I put a lot of myself into her. I started writing this book when I was thirteen, and Chloe was me. I know people say that you should never base a character on yourself because it becomes obvious. I broke that rule because I was thirteen and had been writing stories (or at least telling them) for a big part of my life. I finally had the courage to put pen to paper and I remember writing that opening scene. It was something taken from my own, every day life. The difference was that I stopped being Chloe at some point during my many edits of this book. She still was me, but she was not me at the same time. In the beginning, Chloe's father was alive and her parents were going through a nasty divorce. It was my own way of dealing with the issues in my life. If you've read the book, you'll know now that her father has died and it's a completely different set up. I took out pieces that made Chloe a copy of me, and added bits that made her a completely fictional character. Just like she is today. Chloe was a joy to write. She helped to lead me through the trials of being a teenager, with issues at home. She led the way for other characters such as Tara and Tally, who were also facing their own issues. You never do forget your first, be that a character or a book.

SARAH

Sarah started her character life as a friend of mine. She was based on her, but as with Chloe, while re-writing and even writing in the beginning, she became the character she is now. Sarah had parents who were separated and her father had a drinking problem, along with gambling away their money. She and her mother ended up living in a bad part of town on a council estate. She faced severe bullying at school and struggling with her life. Writing her was hard, not just because of the issues she faced but because I had, and have continued to, a connection with her. I hurt for the character and although it may have helped me with the book itself, it was painful to write. I couldn't give Sarah what she wanted more than anything, but I was able to help heal some of the wounds, and she did mange to recover and move onto a brighter period in her life.

CHARLOTTE

Charlotte was also based on a friend of mine. She ended up being nothing like her. Not in looks or personality. The whole story of Charlotte was her finding out that she and her younger sister were not technically full sisters and the struggles she faced as her father and mother separated and he shunned her, while wanting the child that was biologically his. Again, I found it hard to write Charlotte, I had some personal experience with feeling "unwanted", but putting myself in her shoes made my heart ache. Yet, she still got through it, and I got through writing the scenes. She was easy to write in some ways, but in others not so much. She is another one of my firsts that paved the way for me to develop characters in other books. For that, I still hold a special place in my writing mind for all three of these characters.

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Joey Talks - Vlog 18th June 2013

I finally managed to get the video edited and uploaded last night. Apologies for not posting it sooner, I had uni work that needed doing!

Thanks for reading and watching!

Joey

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Guest Bloggers Wanted!

GUEST BLOGGERS WANTED

As you'll all be aware, I have recently been writing pieces that I have classed as "The Creative Process". I have also done a series called "The After Process" and some posts about writing specific characters, all of which can be found here. I have also been doing a lot of promotion on Facebook and have made some great contacts with other writers. I have an interview coming up in a friend's blog and would like to offer the opportunity to have other writers do similar posts on my blog.

If you are a writer, indie or not, and wish to write about one of the topics below, please contact me at bugbooks@virginmedia.com and let me know which topic you have chosen and approximately when the piece will be ready to be published. Feel free to cross-post to your own blog, facebook, website etc. I would like to be able to do one a week, but that will all depend on the response I get. 

The topics are:

-> Dealing with Writer's Block

-> Planning, research and creating

-> The editing process - Ayla Page (here)

-> Indie vs traditional publishing

-> What inspires my writing - Kate Hawkins (here)

-> Writing for my chosen genre(s)

Once I get a request for a topic, I will mark it as taken and link to the guest blogger's own website and/or blog. Some of the topics could be used more than once and it would be interesting to get different takes on them. So, if you're a writer - either published traditionally, self/indie published or even someone who has yet to make the leap, feel free to contact me at bugbooks@virginmedia.com and write a piece.

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